It's NOT Tracing!!! 
By A3PQKG12NQW895 on 2004-03-30
Simply put, this is the best book on inking I've read. Don't waste your money on other books, buy Jansen's and Miller's and learn everything you need to know.The book doesn't stop with instruction on techniques, tools, and materials, but gives you some great tips such as why you should keep your ink bottle in an ashtray! Anyone who has ever laboured under the misapprehension that comic book inking is just 'going over a proper artists drawing with a pen' is finally shown the error of their ways as Jansen and Miller demonstrate what a fine art inking is when practiced correctly. Moreover, this is a DC guide to inking, not a guide to inking DC characters. Once you've read this and got some practice in, you'll be able to ink everything from cartoons to the most cutting-edge comic book characters. Great text, great illustrations, what's stopping you? Buy it now!
The BEST book on INKING, yet....
By ABVULUZ2ILKKO on 2006-12-30
I've read a lot of books on how-to-do comic art, some on writing and publishing, and this book stood out as soon as I began reading it. Last night I finished, and have to recommend this as the best book I ever read on the subject of comic book inking, and there is little need to improve over it as a feast of information. What Janson leaves out can be found in other books, but he carved the meat off the bone where others before were clawing off unappetizing chunks.
Absolutely brilliant tips, tricks and approaches are found in these pages. The reviewer that calls this book 'preachy' merely is set to stumble into the holes awaiting most comic book artists on their way to mediocrity. Janson's primary lesson through every chapter is TO CONVEY INFORMATION TO THE COMIC READER. An inker clarifies and improves on the pencils, tightens them, and makes sure the storytelling in improved from pencils if not maintaining. Inside he covers light and dark, feathering, line weight, textures, and other basics that just aren't touched on in other books with the insight Klaus provides. And to help, he provides lots of lush B&W inked art from a period that probably influenced him - the Adams/Giordano/Wrightson/Kane period of DC comics. He also compared pencils to inks with more current art he inked over from Kane and Miller.
While Janson's own ink style is rough and appears heavy handed, it does everything it has to with grit. Sometimes the art cries out, "USE THE CIRCLE TEMPLATE!!" but over all it demonstrates how he thinks in planning textures, placement of black and white or tone, and use of feathering to describe form. What the neo-Amero-Japo-manga artists need to learn, as does any art student going anywhere, is that art books give you information, and the more information they give you then the more their worth. Super enticing, glossy, sex bent art work should be reserved for the books people buy to enjoy the art and story, not the training manuals telling you info you use to plug into your own work. Janson hit it right on with this book, the rest is left up to you to DO and IMPROVE.
Other books with good inking information - "Marvel Way" by Lee/Buscema has nice beginning info, and quick but pertinent info on weak and strong inking examples. "Rendering in Pen and Ink" by Guptill is a genius book on how to render and draw in ink for illustrators (or comic artists). "How To Draw Manga: Pen & Tone Techniques" by Ryo Touda handles a brilliant look at manga pens and tones. Everything else I fail to mention by name because it really isn't worth buying. You can put together a foundation of inking information with these 4 books that can't be beat at any art school in the nation.
The most complete inking instructional 
By A13ASI90MXN2P6 on 2003-12-22
The most well-rounded instructional on comic book inking (out of...2?) that I've seen. As a professional artist I can easily recommend this to those interested in learning the tricks of the trade. Not the end-all however. Practice often, study your favorite titles and illustrators, go to a museum every now and then, and take an art class or two. This could be your text book, along with DC's Guide to Penciling.
Not what I expected, but still good.
By AIJJB21124MW3 on 2006-02-20
This book isn't so much a guide to inking as the title would have you think, rather, it's more of a reference.
Normally, this would cause me to give a book like this a 3 rating, but the redeeming qualities caused a change of heart.
The guidance it does give works so well with the pictures in the book, that I would dare say that a person who is interested in inking should definately pick this one up. And when you do, read it, and draw as much in it as possible. Learning comes by doing. The more you ink, the better you'll get. And I feel this book gives the neccessary lessons, to take your inking to the next level.
-Matt
Comic book inking
By ATDBYQGBH2N9V on 2005-07-15
Janson gives a well written breakdown of the techniques needed to develop into a good inking. He discusses the finer points of story telling through the medium of illustration and uses a wide range of artists he admires as examples. It has become one of my go to books when drawing storyboards. This book, as well as his one on penciling is a must for anyone seriously interested in illustration.
- a good read
By A29FBQSCBF7JOP on 2006-01-29
Although Janson's style isn't my favorite, he's an accomplished and skilled artist using a solid set of principles, which he imparts to the reader here. Totally worth a read.
- Wordy and preachy, but still helpful.
By A1WQKSUHJZE6SR on 2006-11-21
Klaus Janson has been working in the comic book profession for decades. He is a proficient inker, but not the best author of instructional books. There are some good tips in this book, but you have to slog through his wordy and preachy writing style to find them. I haven't read any other books that are devoted solely to comic book inking so I can't recommend a perfect alternative, but here is one suggestion. Andy Smith devotes nineteen pages to inking in his book Drawing Dynamic Comics, which is excellent. You can get almost as much out of those nineteen pages as you can out of Klaus' whole book. If you pick up a copy of Smith's book and one of the many books about pen and ink that aren't specifically related to comics, you should do quite well.
- workmanlike intro to comic book inking
By A37A3OOQ8E5LZQ on 2008-07-07
On the one hand, this book will give you every practical bit of information you'll need to, basically, critique your own inking and bring it up to an acceptable level. This book is appropriate for the novice artist.
Unfortunately, there is almost nothing inspiring about this book, including the art.
DC has had some tremendous inkers, which you'd expect from such a large company with such a long tenure. But you'd also expect that the bulk of the work from a large company would be average and unnotable. It is in the latter category into which this book falls.
It was written and the bulk of it illustrated by two stalwarts of the industry, who have done tremendous work in the past.
But the image on the cover - of two breasts charging at you - pretty much sends the worst, loudest message the comic book industry has: No depth, just something to grab your attention.
What certainly isn't shown or described, except for the 3 or 4 images by Berni Wrightson, are examples of careful, beautiful, meticulous artwork. Sadly, that IS the kind of work that is predominantly seen in comic books today. What disappoints me is that the best work is not what this book is about.
- How to guide from the artist who inked The Dark Knight
By ALWB64XOXNMDP on 2003-09-20
This book takes you through some of the best problems inkers have. Klaus Janson shows you how to have a light source, use forced perspective to show drama and lots of technical tricks of the trade I never thought of. This takes his first book about comic book penciling to next level. It shows how comic pros like Neal Adams handle a problem vs. another with a different approach to the same drawing. I have read this from cover to cover and enjoy reading how Klaus faces the empty page with creative solutions to drawing problems. I have admired his work since the 1970's to the present. While his blotchy and cartoony inking style is a far cry from his detailed work in the seventies, I still enjoy work.
- Lot of samples but need more analysis
By A2FYL8LYQEU4ME on 2005-08-16
Great book! Has lot of references from a whole gamut of comic genres. But I feel that it could have done better with more analysis of those examples.
Paper quality and the printing does justice to the book.
Worth keeping a copy.
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