Body Shots Reviews

• Interesting Idea, poorly created

  
  By A38AXXL7DMVFMQ on 2003-07-21
  Body Shots is an interesting premise. Mix reality tv (at the the time) like the Real World, fill it with hot young actors, make sure there is a movie plot, make sure there is a lot of sex, and watch it fly. Well unfortunatly thats what they did.

  Body Shots is about a group of eight adults, four men and four women who all have different opinions on sex. It's Friday so they all decide to go clubing. The next day all of them got some, but unfortunatly some not in the way they wanted. After the initial club scene where they got drunk they wake up the next day. The latter part of the film ends up focused on the incidenet between Jerry O'Connell and Tara Reid as she claims he raped her. However they were both so drunk they don't remember what happened.

  Overall the movie is Ok at best. The only really redeeming value is that we got to see some of Tara Reids Naughty Parts. Past that the movie features a lame been there done that plot, weak sex, poor acting, and overall not what was expected from what seemed like an interesting idea.
  
  

• Interesting idea, TERRIBLE execution

  
  By A342YAXL116N5A on 2002-11-12
  All I can say after having watched this movie is, "What the heck?..."

  So a group of guys goes out to a bar to meet up with a group of girls. We all know what that's like, right? And let's be honest here, more than a few of us know what's on the mind at this point. And, in fact, we're right: People - *gasp* - have sex.

  Then the tricky twists arise. Well, too many for there to be any real resolution to any of them.

  By far, of course, the "date rape" plot line is the most powerful and socially relevant. Did she consent? Was she even capable of consenting? Or, to the contrary, did she actually scream "NO" repeatedly?

  Now THAT would have been a good plot line to follow. We're interested. We see the conflicting points of view, and it's fascinating to know that there is NO other witness, and it's his word against hers. While the movie does take this plot line adequately through -- including to its less-than-satisfying conclusion -- it muddies up the progression of this situation with a HUGE slew of otherwise irrelevant and horribly uninteresting sex twists.

  Of the four or five couples who end up having sex that night, we really do only really care about the one, right? I mean, in terms of plot line develpment, I don't think we really care about the particular kinky perversions of Batgirl. And yet we're told about it anyway.

  All in all, it seems to me that this movie spends too much of its time trying to work "sex sex sex" into its reels -- probably in an effort to draw viewers who really don't care about the meaty date rape plot line -- and the end product suffers as a result.
  
  

• Dream come true

  
  By A2NUWNRPS1SA55 on 2004-11-07
  The plot? Where? Tara Reid nude? Worth every penny! I recommend for that scene alone!
  
  

• Brad Rowe and Amanda Peet are Terrific.

  
  By APVCXBWCLOQCK on 2000-03-16
  A sizzling, star-studded cast brings to life a funny/sexy look at sex in the 90's. Brad Rowe (Purgatory, Billy's Hollywood Screen Kiss) ignites the screen, and Amanda Peet (The Whole Nine-Yards) was fantastic. This was a good date movie because the plot is based on sex, I can't wait to see Body Shots again.
  
  

• Tries to be clever, but fails

  
  By ACMLOQ9U1VIAA on 2000-06-24
  In the ads, this movie was supposed to define a generation, in much the same way that The Graduate did in the 70s, and The Breakfast Club did in the 80s. What a blatant attempt to compare this piece of trash to two worthwhile films. I watched this movie, expecting it to at least be interesting, but it's only embarrassing. The actors speak to the screen in various parts (a la High Fidelity), but it doesn't work here, discussing sex, relationships, etc, amid slow motion camera moves that are nothing but corny. There could have been good dialogue, but there wasn't. Every line was completely flat, by no fault of the actors (except for Tara Reid, who is absolutely horrible in playing the role of the hysterical, freaked out victim). It's quite obvious that the filmakers were trying to be clever with this one, but it just doesn't work. All this movie is about is a bunch of sex crazed, drunk people in their mid twenties who have nothing better to do. If this is supposed to define my generation, then I'm quite embarrassed to be a part of it.
  
  
• Is it that Tara Reid getting raped is not important? It is!!
  By A1Q7TOP8KVTNYM on 2004-12-28
  Well, if you have only watched 10 minutes of this movie, I will just let you know now that Tara Reid driving around in the Mercedes in the rain, with the cut on her forehead claiming to have been raped is about as far as this movie went to describe what happened. If you think you are going to get the answer to this controversial question------GUESS AGAIN.
  That's all I have to say, and that the movie drags on and on.
  P.S. Tara Reid got me to see the movie because I think she's really great---otherwise I don't think I would have seen it in all actuality.
  Thanks,
  C
  
  
• Wait...huh? What?
  By on 2000-03-30
  I'm totally biased because I just adore Sean Patrick Flanery, but that said I simply cannot figure out what this movie was meant to do. Is it hip, fresh, and fun? or is it massively depressing and meant to make twentysomethings cringe at themselves and their lifestyles?

  I've spent (way too much) time thinking about it, and I'm just now figuring out some parts of the movie. For instance: the very last scene in the movie, I totally didn't understand until I realized that it was another victim of the bizarre flashback/flashforward/flashsideways direction. As for the whole date rape part of the movie...I'm going to have to stop caring about it and trying to take sides. In both sides of the story--the he said, the she said parts--you can see where something could be misconstrued or how one moderate-sized mistake could snowball so quickly into a massive mistake.

  Positive sides? Well, Ron Livingston was a riot playing a totally irritating guy who thinks nothing of sleeping in the gutter for a few hours, literally. He was a little cartoonish at times, but in the end, I think the movie needed his outlandish character. Otherwise it would've turned into an R-rated Lifetime movie.

  Final answer? If you like Ron Livingston, Sean Patrick Flanery, Amanda Peet, Brad Rowe, or Tara Reid, you could possibly enjoy parts of this movie. If you're looking for a movie about twentysomethings in the 90s, please look elsewhere! If this defines my generation, I'd like to turn in my Gen X membership card!
  
  

• Not worth your time...
  By APJRSNBOK3D8F on 2000-05-10
  While some of the sex-talk may be mildly interesting in a "Humm... I didn't know that." sorta way, Body Shots is for the most part a very boring drama which has no real merit. I wish I could say that just the ending was horrible, but in truth, you won't be that suprised because there is nothing in this movie to suggest the ending won't be horrible. It may have some moments, but overall I suggest you pass on this film. It's worth the fast forwarding button on your vcr... Or a chuck out the window. Your call.
  
  
• Does not deliver
  By A3SPHSI6Q9HO1G on 2000-02-22
  I saw this on the big screen and I was very disappointed. The producers were going for a film which would leave it's audience questioning their own views on sex and love, but it did not. Throughout the movie the cast remarked about life, love and sex trying to sound profound but succeeding in sounding fickle. The most interesting part, and the reason I gave it 2 stars, was the way the cast protrayed the recollection of the same event by two different people of the opposite sex. The film should have focussed on that plot and developed it further. The rest of the movie was actually a waste of time.
  
  
• Shallow and Unfilling
  By AYG1U47VFZ165 on 2002-06-25
  BODY SHOTS is the kind of film that, probably, speaks to a generation. The real question is, "What is it saying?"

  A group of four males and four females (Amanda Peet, Tara Reid, Sean Patrick Flannery, Jerry O'Connell, and more) get together for a night on the town, and, as is rarely the case in reality, all of them manage to 'hook up' (think 'sexually' here) in one way or another, but to what end?

  One part art film, one part twentysomething film, one part point of view testimonial film ... BODY SHOTS never answers any of the questions it poses, nor does it honestly attempt to. None of the principals appear to be even remotely committed to a serious exploration of relationships, and the characters randomly speak out of scenes directly to the audience ... trying to expound a view on relationships, intimacy, and ... well, just about everything.

  What's overwhelmingly disappointing is that four-fifths of the way into the film, an actual story develops, but the director and screenwriter have spent so much time exploring the nature of sex that there's little believability in such an 'engineered' situation. And, even the corner the filmmakers paint themselves into receives no resolution.

  Without one unifying voice to tie the disparate threads together, BODY SHOTS sadly ends up being about little more than 103 minutes of wasted film ... with some gratuitous sex throw in to keep you interested.
  
  

• Interesting Movie...
  By A3GJD0YXAUIHOD on 2004-09-11
  I recently saw this film, and I was pleasantly surprised with it. I agree with other postings about the film not catering to the average person. The movie is a fantasy land of super hot women, buff and hot guys and rich yuppies, but what it does touch on are some of the 'issues'-(sex, love, relationships, fitting in, happiness, friends) that are universal to everyone. I do agree with other postings that alcohol abuse and drugs are key themes of this movie too and seem to get overshadowed by the date rape angle. And...Like other so called generation movies, this movie seems to focus on the "hard partying, superficial, yuppyized twenty somethings of the generation, and not the average person. Having lived through my 20's in the Los Angeles Area and having experienced some nights eerily similar to the night portrayed in this movie...I could actually relate. Yes the characters portrayed are shallow, wild, and make insane choices that seem utterly impossible to most people, but what I got out of this movie is kind of what I got out of my experiences with my friends in my 20's when we would hit up the LA Clubs. We too were young, shallow, mis-guided, wild, and desperately trying to figure ourselves out. I think anyone...who hasn't been a complete boyscout or nun all their lives, can at least relate to that.
  
  
• An Unexpected Gem. A Perfect Cast tell a Difficult Tale.
  By AK2AQIULQDFS5 on 2001-02-28
  "Body Shots" pretends to be telling us that there is No Hope in finding love in the "20 Somethings" dating world. Every Character at One Stage tells us how impossible that is. (a couple of characters tell us more than once) But at the Same time the film shows Sean Patrick Flannery (Rick) and Amanda Peet (Jane) get together with a Definite Case of Love at First Sight. And Being that the Performances are so Spot On.. It's Utterly Believeable.

  The Entire Cast is made up of Actors and Actresses who are going to go far. Flannery (from "Suicide Kings" and "Boondock Saints") and Peet (from "The Whole Nine Yards" and "Whipped") lead the film with to Very Genuine, Heartfelt Performances. Tara Reid (from "American Pie" and "The Big Lebowski") and Jerry O'Connell (from "Mission to Mars" and "Stand By Me") Lead the Supporting Cast and Take on the Toughest Roles in the Film (plus their careers) and Ron Livingston (from "Office Space" and "Swingers") takes on the Comic Relief and thankfully, lightens the mood in the tough spots.

  See it for the Realism, the Honesty of the Wonderful Performances and for the Hard hitting story that needed to be told in this Brutal, Honest Fashion. As it makes us question, how would I perform under similar circumstances.
  
  

• Was It Or Wasn't It, You Have To Decide...
  By on 2002-06-15
  Body Shots is a movie shown in sequences about a group of good looking 20 something year olds and focuses on their sex lives. The main storyline or focus seems to be on whether or not one of the women, Sara, played excellently by Tara Reid was a victim of date rape or not, as is made for the viewers to decide as both her, and her date's/attacker's versions are each told. Jerry O'Connell plays her date/attacker. It also shows the selfishness or me me me attitude that seems to be prevolent these days, when after Sara stumbles into her friends apartment late one night, bruised, cut, and looking as if she was attacked, claiming that she was just raped, her best friend doesn't seem all that concerned, and more interested in her own affairs. Tara's performance is outstanding, especially the scene in the hospital, in which she painfully and shakingly, describes her version of what happened to the authorities. It is a very moving scene, especially when you start to see her bottom lip start to quiver as she is describing the events, you can tell that it really shook her up. Had this been someone like Hillary Swank, or some other Hollywood "favourite", they would have garnered rave reviews for that scene alone, let alone the whole performance, but because it was Tara Reid, who for some unknown and totally unfair reason seems to be a media scratching post, and never gets the credit or praise she deserves, an excellent performance is not only not acknowledged, but by some is even criticized. What movie were they watching? Or were they just on a personal vendetta? The conclusion of the movie, Hell, what conclusion?, is the reason for only 3 stars. It leaves the viewers to make up their own minds on what did or did not happen, and it would have been much better if they would have been courageous enough to decide on a conclusion one way or another, preferably, with all the violence against women these days, with the conclusion that it was date rape and give the scum bag what he deserved. There were other decent performances, especially by Amanda Peet and even by Jerry O'Connell who plays the conceited football player who was Tara Reid's "date". A more raunchy or explicit version of the "He says, She says" storyline, that leaves viewers the task of making up their own minds. So if you want to see or buy it...you decide.
  
  
• Superficial treatment of a serious subject
  By A3CWH6VKCTJAD on 2002-09-03
  This film flounders by taking the serious subject of date rape and trying to mix it with the twenty-something licentious overdrive of "Sex in the City". Written by David McKenna ("American History X") and directed by Michael Cristofer ("Original Sin"), this screenplay has potential that is dissipated by trying to make it too sexy and hip.

  The story starts with Sara (Tara Reid) coming to a friend's house in the middle of the night in her nightgown with face bloodied, claiming to have been raped by her date. We then shift to the events that preceded the alleged attack, as we meet our eight yuppies whose raging hormones are searching desperately for release by means of drunken stupefaction. Interspersed, we receive asides from each of the characters giving their honest and somewhat immature views on sex and relationships. This part of the film is utterly vapid and self indulgent, full of gratuitous sex and nudity, seemingly just to impress us with how shallow and hedonistic these young people are.

  After a night of wild and lascivious dancing, everyone gets blotto and hooks up with someone for meaningless flesh pounding. Sara, who has been involved all night in dancing that can only be described as coital pantomime with pro football player Mike Penorisi (Jerry O'Connell), decides to take him home in a taxi after he finishes beating up a guy who bumped into him in the bar.

  Fast forward to the present and each participant gives a flashback description of the events, Sara describing being forcibly raped despite her protestations, and Mike describing an nymphomaniac using him to get revenge on her ex-boyfriend and who became infuriated when he called her by the wrong name. The evidence supports both views, with Sara's behavior before the incident clearly provocative and slutty, and her emotional and physical state afterward extremely sincere and convincing. The picture is further clouded by the fact that both were extremely drunk and the reliability of their statements is questionable.

  The rape storyline is fertile ground for an excellent drama, but Cristofer draws away abruptly just when the story gets interesting and returns to soliloquies of the various characters giving their reflections on the events that just occurred. The film thus leaves the viewer extremely unsatisfied with the outcome.

  Ultimately, the film seems to be trying to make the point that this event was inevitable given the dangerous and irresponsible behavior of the characters. Cristofer tries to infuse the story with the moral that loving relationships are better than promiscuous drunken encounters, but his final scenes are too abstruse to make the argument with any power.

  This is a good showcase for some young talent. Most impressive is Tara Reid, best known as Vicki in "American Pie". Reid gives a gut wrenching performance, sexy when she needs to be and utterly devastated after the incident. Sean Patrick Flannery is also good as the nice guy who feels that he has to act like a sex obsessed jerk to fit in with his friends. He has a couple scenes with Amanda Peet that are heartfelt and touching. Peet gives a surprisingly good dramatic performance that is a far cry from the ditzy parts for which she is getting known lately. Jerry O'Connell does well as the jock with the untamed libido. Ron Livingston is outrageously abrasive and droll as Trent, the obnoxious dweeb with an overblown sense of self importance.

  This could have been a good film, but it takes the wrong approach to a serious contemporary subject. I rated it a 6/10. While the moral of the story is constructive, the presentation overemphasizes the very behavior it is criticizing, and neglects the true human interest story by skirting the serious issue. Some respectable acting performances, especially by Tara Reid, are reduced by the film's superficiality.
  
  

• NOT QUITE
  By AIYAHJ7HADY0T on 2003-04-25
  I have the movie Body Shots it started out just about them having sex. About the middle of the movie the plot just changed It suddenly became about a mystery and trying to solve it. Great acting (Tara Reid, Amanda Peet) TERRIBLE ENDING does not even have an ending you expect the movie to start after the credits. I liked what they were doing with the movie at the beggining but then it got jumbled and confusing. If you like rape sex movies with bad plots then this movie is for you if not dont waste your time.
  
  
• body shots
  By AJHGO123YGXHJ on 2004-05-25
  tara reid is so hott in this dvd but i think its a boring plot
  
  
• If you can figure out what this film is about you might be alone
  By A2NJO6YE954DBH on 2005-07-02
  If "Body Shots" did not start with scenes of a young woman bruised and bleeding, obviously the victim of a sexual assault, the abrupt shift that this 1999 movie takes would have been similar to those who went to see "Million Dollar Baby" thinking it was just a boxing film. Indeed, even having been shown what is going to happen to one of these characters and knowing that we are seeing the events that lead up to the incident it is easy to forget that is what lies ahead in the first half of "Body Shots," which was written by David McKenna ("American History X," "Blow") and directed by Michael Cristofer ("Gia"). That is because the early part of this film involves lots of direct to camera statements by the characters, and then after the pivotal incident the fourth wall is slammed back up in our faces.
  
  The scope of the film is basically 24 hours in the lives of eight young, attractive people trying to live and have sex in L.A. The four women are Jane (Amanda Peet), Sara (Tara Reid), Whitney (Emily Procter), and Emma (Sybil Temchen), and the four men are Rick (Sean Patrick Flanery), Michael (Jerry O'Connell), Trent (Ron Livingston), and Shawn (Brad Rowe). The two quartets meet at a club, engage in heavy drinking and end up pairing up for the night. Jane and Rick seem to be the smartest of the bunch so they end up together, while Sara leaves with Micheal, who plays for the Raiders. The thing is, Sara has been dating Shawn, who responds to this affront by taking Emily out to the alley. That leaves Trent to end up spending the night with Whitney, who turns out to have another side to her sweet disposition.
  
  There is a strong documentary-like element to the first part of the film, where most of the characters get to weigh in on various matters, usually sexual, that are under discussion. This allows us to get lots of views about everything from what constitutes "sex" to whether or not teeth are a good thing to bring into play during a particular endeavor. However, given what is going to happen in this film these exchanges of personal philosophies are not simply an opportunity to run the gamut of viewpoints but an opportunity to judge the characters. This will become critical in trying to make any judgment as to what really happened between Sarah and Michael.
  
  Sara says that she was raped by Michael and he denies it. When he hears the news Trent says he could totally see that happening. What we see is first his version of what happened and then her version of the same events. The obvious cinematic reference point would seem to be to "Rashomon," but "Body Shots" does not get that far. In Akira Kurosawa's film we had three different versions of the same story, each of which revealed something about the character once you established their motive for distorting what happened. Here we have only two versions, the basic "she said/he said" dilemma. But at the end of "Rashomon" we do get the "truth," as the woodcutter confesses he saw what "really" happened, an understanding that allows us to go back and reconsider the other three stories a second time. But "Body Shots" does not get to the "truth" and we do not know what really happened.
  
  This will drive some viewers to distraction, and obviously has. However, it is significant that Jane and Rick, who are the two smart ones, do not have to decided whether they believe Sarah or Michael, because they do not hear both stories. Jane only hears what Sarah has to say, and Rick, as Michael's attorney, only hears his side. But even without hearing the other side, each has to decide whether at face value they believe their friend. The chilling part of this story is that since both sides are believable (Michael is truly amazed and outraged while Sarah is really bruised and bleeding) who we decide to believe could be based entirely on our gender. Guys will believe Michael and women will believe Sarah, and what implications are we to draw from that rather chilling impasse?
  
  Ultimately, the problem with "Body Shots" is not that we are left to construct our own meaning from these events and render our own personal judgment as to whom we believe (with an emphasis on being able to explain why so that there is an actual articulation of reasons as opposed to going on a gut instinct based on gender), but that the approach of the first half of the film contrasts too much with the second. These characters are glib when it comes to talking about sex, but is this just a stylistic approach of the film, a way for the writer to show off with all the outrageous topics and thoughts he can have come out of the mouths of these characters, or is it a lesson in itself? Because if the second part of the film does not teach a clear lesson, perhaps the first half does. Maybe the second part is not the wake up call, maybe it is the first half and that when Sarah assures us that sex is "just sex" she has doomed her character to her fate.
  
  
• Worth the time
  By A367UBNZ8PADE6 on 2000-06-14
  I wouldn't say this film was a waste of time at all. I rented it and watched it twice. Loved it both times. I think its good that there is some great humor mixed througout the movie. Maybe you have to be younger to get most of it, though? I'm 24 and connected with where they were going with it.
  
  
• Too Many Shots
  By A32EIW20XNOIW8 on 2000-06-26
  In a way I found "Body Shots" to be a little insulting. The way that the male and female characters are written it's like they're a disgrace to mankind. All they talk about throughout the film is sex. I mean it has your typical male (which by the way, not all men are like this): wanting it, fantasizng about it, then getting it, and then bragging to your friends. From all that sex talk, which gets really annoying, you have a rape issue going on.

  Overall, "Body Shots" is really uneven and way too much for one to watch.
  
  

• My New Favourite Movie
  By A3V8BO95DLXNN0 on 2000-07-11
  i rented this movie the day it came out on video.. i know the movie flopped in theatres, but that may just be because the reviewers are old and not in tune with the younger generation.. i'm 21, and i found this movie very truthful.. alot of what was going on in the movie IS happening in real life.. the dialogue they used was also very acurate.. i loved it.. plain & simple..
  
  
• Great depiction of bar scene life
  By AM08UY0NX87UF on 2000-08-15
  Let me start by saying that I am kinda disappointed that this movie is not available to buy(dvd or vhs). However other then that I have no complaints about this movie, in fact I've seen quite a few movies and this ranks as one of my favorites. If anyone reading this review is 20-30 years old and is in the "bar scene" then this movie will completely relate to your life. Don't follow the lame-o's reviews check this movie out.
  
  
• 1 night can change your life forever
  By AUV0BR1PZ7F42 on 2001-01-15
  At first sight this movie struck me as being a feel good movie with lots of sex and good times. It has sex and great times, but also gives you a whole new look on relationships.This movie cleverly shows how the events of one night in the lives of 6 twenty somethings can change their lives forever. The movie is fast flowing and quick to set your hearts pumping to the music and seductive events that occur. Watch it with a friend, or even a whole group of friends. It's a great film that shouldn't be missed.
  
  
• Body Shots was Amazing
  By APVCXBWCLOQCK on 2000-03-12
  Like in the movie Purgatory, Brad Rowe is in another fantastic movie - Body Shots! He always brings a seductive, amazing way of portraying the charachters he plays. Nobody could have played a hard charachter like Shawn to life the way that he did. The movie represents life as we know it in our 20's very accurately and I found Brad to be a great actor in Body Shots! He's not too bad looking either!
  
  
• more
  By on 2002-03-31
  This movie has no business being placed in a list of erotic movie there is nothing erotic about rape.
  
  
• Stupifyingly Bad.
  By A31YZPP738T2EB on 2002-04-10
  This movie is pretty brutal. Irritating characters talk to the camera and tell you the laws of dating as if they could maintain a relationship for more than Mardi Gras weekend. At one point a character says "Sex without love equals violence." No, this movie without alcohol equals violence.

  A group of guys including Jerry O'Connell (I liked him better when he was the fat kid), head out to hook-up with some fly honeys, yo. But that's all whack, yo. Ahem. Obnoxious, isn't it. Jerry goes home with Tara Reid and they have sex. Or was it [violation]? There is a lot of other sex, but the story seems to focus...actually it doesn't focus at all. It's just a series of vignettes. ... I like Tara Reid when she's herself, but she's played so many unlikable characters I'm beginning dislike her. Ditto for Amanda Peet.

  Highest recommendation to avoid. If you need dating tips, try [someone else].
  
  

• shot to the heart.....................
  By A8M4WE1MT4R4O on 2000-04-20
  ....and your to blame, this movie gives love, A BAD NAME!

  I think if this movie would have focused more on the trial of the date rape incident, it would have been more compelling. Instead it kept going backwards and showcasing siloquies of the actors and their thoughts about rape. I was actually complelled at one point in the film pondering who was actually telling the truth about the rape incident. Was he telling the truth or was she telling the truth? I thought we would find out at the end in a dramtic finale courtroom spectacle. The ending of the film absolutely had me miffed. The conclusion was so abrupt and depressing. Bad move.
  
  

• poor brad
  By on 2000-02-20
  body shots played in only a handful of theatres and one can see why. not only is the story bad but the acting is terrible. brad rowe proves once again he cannot act and producers are obviously losing money on anyting they put brad rowe in. this is even worse acting by brad rowe than in wasteland.
  
  
• Body Shots
  By A1VR2UNFAL4JJ9 on 2000-05-22
  Thumb's up on the character set-up and how the plot is lyed out, But thumb's down on plot.

  The plot is lyed out where they show you the climax first than go back and show you what lead up to it and beyond
  
  

• ...to get in the mood for a night of hard partying...
  By on 2000-07-27
  I love this movie. Not only do you get to see Tara Reid naked (not only naked but hardcore grinding on Jerry O'Connell), you get to see these actors boozing like all self-respecting ex-fratboys do. Thanks for giving me a new movie to psych me up for getting wasted. Less than Zero gets old after 200 times...or does it?
  
  
• Body Shocks
  By on 2000-09-20
  Whether you believe it or not, the situations in this movie exists. Though it should not be used as a representation of the Gen-Xers, the movie does represent a percentage of this generation. If you don't believe me, go to any club on a Thursday, Friday, or Saturday night- or better yet, a college party. I found the movie to be truthful about how some people choose to live their lives and that date rape is blurred by the consumption of alcohol. It happens. Overall, this is a good movie to be shown at colleges.
  
  

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