Salaam | Namaste Reviews

• Very good, almost great

  
  By AUA5SY89OZJBT on 2006-02-26
  This film is so good, and it came so close to greatness!
  
  The story is developed beautifully, showing how Nick (Saif) and Ambar (Preity) almost fall in love, almost learn to hate each other, then realize what they have nearly lost. The film is beautifully photographed, the music is first-class and the acting is wonderful.
  
  So, why only four stars? Someone decided that there should be some "comedy" in the film. I thought the silly, idiot-in-authority role was starting to disappear from the best Hindi films, but here we get not one but three (radio station manager, landlord and doctor). And the last one makes his appearance just at the time when the plot should be winding up and everyone in the theater should be wiping tears of joy from their cheeks.
  
  We did not laugh at this, but rather got angry because we had been deceived. The climactic scene was so carefully prepared and the audience so ready, and then in comes this idiot with his slapstick routine and undoes everything the film had worked so hard to accomplish.
  
  If the writer and director had resisted this temptation, or at least left it out of the final scenes, I would have called this a truly great film. As it is, it's a good film ruined by a very bad judgement about the end.
  
  

• SAAAAAAAAAALAM NAMASTE EVERYONE

  
  By on 2006-01-03
  EK DIN EK PAL...EK JANIYA...
  
  These are the first lines of the world famous song SAALAM NAMASTE...this movie is one of the BEST of 2005. It is fit for everyone in the teenage and who ever is a young adult. This story is so nice...the music is so cool....u will be watching this movie many times....it is truly worth it...trust me, SAALAM NAMASTE RULES!!!!!!!!!
  
  SAAAAAAAAAAALAM NAMASTE!!!!!!!!!!
  
  

• Brilliant Bollywood!!

  
  By A28L7G6JRMW7PV on 2007-12-15
  This is a fun movie! The cast is superb! It shows Melbourne beautifully with it's special fun-loving, relaxed culture. The story is romantic and cute, and even though this leans towards being a chick flick it's a film that the guys can enjoy too. Watch it! You'll enjoy the laughter, the music, the dancing, the dramas and the bodies!
  
  

• Hambar vs. Nick

  
  By A2HVL790PBWYTU on 2007-06-14
  SALAAM NAMASTE tells the romance of Nick and Ambar, two young, independent Indians living abroad in Melbourne, Australia. And it doesn't start out well for them. Nikhil "Nick" Arora (Saif Ali Khan) is an architect and also the head chef at the restaurant Nick of Time. Ambar Malhotra (Preity Zinta) is a medical student and, to help pay her bills, she also moonlights as a radio jockey at Melbourne's local Indian radio station, Salaam Namaste (101.5FM). Nick is a chronic oversleeper and wakes up one day very late for his radio interview with Ambar. Ambar is furious and begins to put down Nick and his restaurant on air. This leads to a heated, insult-heavy phone conversation which is broadcasted on Salaam Namaste.
  
  Later that day, at a wedding, Nick and Ambar meet in person for the very first time, but she doesn't know that he's that "Nick" and he, that she's that "Ambar." They find out soon enough, but the spark's been lit. However, they aren't sure if this spark is truly love and they want a chance to get to know each other, so, what do they do? Naturally, they end up living together.
  
  Their cohabitation gives rise to revelations about each other. Ambar, it turns out, loves pizza, doesn't want to marry, yet loves children. Nick is a neat freak and is afraid of hospitals, doctors, and the sight of blood. And he doesn't like kids, dismissing them as "irritating bloody creatures." So imagine his reaction when Ambar gets pregnant.
  
  This is a fun, fun romantic comedy, packed with many genuine laughs. The film follows the Bollywood formula of being breezy and slapsticky in the first half, and more somber and melodramatic after intermission, replete with many shouting matches between Nick and Ambar. But then this film does a nutty thing as it reverts back to madcap comedy in its climactic scenes. Admittedly, the final 15 minutes are a bit off putting and bizarre as we are introduced to the wacky and absent-minded obstetrician, in the form of a pratfalling, bespectacled Abhishek Bachchan. It's better to just go with the flow. It certainly wasn't enough to ruin this movie for me.
  
  I've only seen Preity Zinta in Koi...Mil Gaya and Krrish (where she has a cameo), but she charmed me enough that, immediately after, I purchased a number of her films. I like Preity even more in SALAAM NAMASTE as her vivacious personality really has a chance to come out. She's in perfect sync with leading man and good buddy in real life, Saif Ali Khan. In fact, both leads are simply perfect as they show off their great comic timing; their playful exchanges are very much a treat to watch. Saif himself seems like a pretty cool and funny cat. Of course, their steamy scenes together heat up their chemistry even more. And I kind of enjoyed Jaaved Jaffrey's odd performance as the Indian landlord who walks around in a Crocodile Dundee outfit and tends to mangle proverbs ("Home the sweet's home" & "When in the Rome, do the Romans").
  
  SALAAM NAMASTE is pretty edgy for Bollywood. It steps out of the normal Bollywood boundaries in that it incorporates kissing and actually shows the two leads in bed. Not to mention, there's the storyline of an unmarried couple sharing a house. This film would have had a hard time selling its premise if the story had taken place in India, with disapproving and very traditional minded Indians all over the place. The director, thinking ahead, set the film entirely in Melbourne, Australia, where the folks are drastically more liberal minded. Thus, as a bonus, we're also treated to a multitude of scenic Australian locales.
  
  This film may have "modern values" written all over it, yet by the film's end, it's all about the power of love, family and tradition, which should make everyone happy. However, SALAAM NAMASTE does stand fast in its non-inclusion of parental figures, which I think is darn refreshing in the Bollywood universe. Did I already mention how great and funny Preity and Saif are in their roles? And their exquisite chemistry together? What about the songs? Well, there are only four of them and they're okay. I do like "What's Goin' On?", where an 8-month-pregnant Ambar moonwalks. Another fun bit is the closing credits, for which I suggest you stick around as they come with pretty funny outtakes.
  
  What I have with me is the 2-disc dvd set of SALAAM NAMASTE and I'm glad to have it. Disc 1 has the film presentation. But don't ignore Disc 2, which features "First Impressions" - reactions of several Bollywood celebrities to the film; 12 minutes, 30 seconds worth of outtakes expanded from the closing credits bloopers; the "Making Of" segment (21 minutes, 34 seconds), which consists of Preity and Saif drinking from their coffee mugs and talking relationship and, oh yeah, about the making of the film (and their conversation is mostly in English); 6 minutes of deleted scenes; and the awesome theatrical trailer which has Saif and Preity once again showcasing their easy chemistry as they promote the film (Saif: "Like, what's so different about this one?" Preity: "Well, it's a love story." Saif: "Ooh, that's different.").
  
  Lastly, just what is that cute, tiny red car that Nick drives? I mean, I don't care, but this girl I know is curious (but, really, I don't care).
  
  
  

• Cool Film

  
  By A2FQB0LX52Z7VF on 2008-02-17
  Salaam Namaste was the first Bollywood movie I really looked at and stayed with and I'm glad as it's roller-coaster ride of happy-angst-happy was a lot of fun. Well worth seeing the movie through to it's conclusion as the audience is well rewarded with a good dose of happy.
  
  

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