Young Frankenstein Reviews

• Great movie...DVD worth the money (but warning!)

  
  By A9N7QD5VVZS3F on 2003-05-26
  First, let me begin by saying that the only reason I don't give this 5 stars is that I wanted a bit more from the commentary track, as I indicate below.
  The content of this wonderful movie is covered amply elsewhere, so I won't repeat what others have so well synopsized. I WOULD like to point out a couple of things about this particular DVD:
  1) The commentary track is accessible from the the LANGUAGE SELECTION menu, rather than from the special features menu (as is usual for commentary tracks). I was terribly frustrated by this until I got some help from Christian at boldopinions.com (thanks Christian!).
  2) Yes, the commentary track IS mostly Mel babbling, but there are some nice tidbits here (many of the cut-away shots were put in because Gene Wilder kept breaking, Mel thought "Puttin' On The Ritz" was frivolous, etc.). It's also heart-breaking to hear about how Marty Feldman's health habits led to his death at age 59. Unfortunately, since Mel's commentary leans toward the personal, we don't get to hear about the roots of the dart-throwing scene (practically a duplication of a scene in "Son of Frankenstein")-- and I would SWEAR that the trees going by the window in the Transylvanian train sequence are the same ones in the train sequence in "Son of Frankenstein." So we can't have everything.
  3) The documentary is really wonderful-- it's obvious that everyone has warm feelings about the film, and the recollections are sharp and insightful. It gives the movie added dimension, so don't pass it over.

  I haven't seen mention in the Amazon reviews of "Young Frankenstein" the multiple homages to "Son of Frankenstein," not the least of which is Gene Wilder's spot-on lord-of-the-manor affectations through many of the early Transylvanian sequences (in his grandfather's bedroom: "And where is my grandfather's PRIVATE library?...[book snatched from shelf] Why, these books are all very general [snap snap snap the pages]; any doctor might have them in his study [SLAP book closed]" and the entirety of the aforementioned dart-throwing scene (in which Wilder is positively CHANNELING Basil Rathbone). So make "Son of Frankenstein" ALSO required viewing prior to seeing "Young Frankenstein."

  Finally, I think that Mel hits the nail on the head when he says (repeatedly) that so many scenes are emotional at the same time that they're being funny. This film was made with such love by all concerned, and it shows. Yes, it can be occasionally crass, and go for obvious cheap laughs (albeit MUCH less so than any movie Mel has made before or since), but what one ultimately takes away from this movie is the incredible amount of care everyone took with the project. Hell, you might even find yourself with a tear in your eye at the end (I did-- the awesome score by John Morris helps a lot!). Alas, Mel and Gene were never again to collaborate on a script (it is amazing that the Borscht Belt comedy of Mel Brooks and the hopeless romanticism of Gene Wilder found such fertile creative ground in the first place!), so this movie is lightning in a bottle (pun intended). Don't miss it.
  
  

• "Roll, roll, roll in ze hay!"

  
  By A106016KSI0YQ on 2001-02-19
  This may just be the funniest movie of all time. Mel Brooks never before (and never again) worked with the tight parameters he did here: gene Wilder actually wrote most of the script, and that plus the use of the old Universal sets and props seem to have kept Borooks's more sophomoric instincts (which have gone overboard in some of his later films) tightly in check. Thus he--and everyone else in the film--is doing their absolutely finest work ever.

  From Teri Garr "rolling in ze hay," to Kenneth Mars's inspired Police Inspector, everyone in the entire film seems to be working at their most hysterically hilarious. Special mention must be given to Gene Wilder giving one of his most classic performances of his strangled-fury schtick ever ("Put... the candle... back!!!") and to Peter Boyle, for his very poignant and funny depiction of the Monster.

  But standing above all of the end in terms of sheer brilliance is Madeline Kahn, giving what must be the funniest female performace ever on film as Frankenstein's fiancee and the monster's eventual bride. Unlike everyone else in the film, she's not really parodying anyone other than herself; yet nevertheless her depiction of Elizabeth, the wealthy prude who discovers she's a volcano of passion undeneath, is so funny I'm practically crying almost every time I see this film. There's one brief little scene where she's brushing her hair in her boudoir before the Monster steals into her room and kidnaps her, and for absolutely no apparent reason(which makes the scene all the funnier) she's giving vent to a deeply lusty rendition of "The Battle Hymn of the Republic" while brushing out her hair. It is the funniest five seconds in the entire film--and in a film this hilarious that's saying a lot.
  
  

• Almost too good!

  
  By on 1999-12-03
  Features, features, features. Anyone who loves this film and loves special DVD features MUST buy this special addition. There are about 30 minutes of deleted scenes, hilarious bloopers and Mel Brooks tops it all off with insightful, intelligent commentary. A great DVD that does justice to one of the greatest classic comedies of all time. I couldn't turn it off.
  
  

• The BEST Parody Film of All Time...

  
  By A1Q0VFI39644LV on 1999-12-07
  ...yes, even better than "Airplane", and quite possibly the funniest film of all time, period. Side-splittingly funny and infinitely quotable, this is film is absolutely priceless. Filmed in black and white, the movie is filled with atmosphere, fantastic one-liners and classic characters. Marty Feldman and Madeline Kahn completely steal the show, you'd never guess that Inga was the same Terri Garr from "Tootsie", Cloris Leachman is virtually, wonderfully, unrecognizable, and you will never- and I mean NEVER- be able to look at Peter Boyle the same way again after seeing his portrayal of the monster (especially after viewing "Puttin' on the Ritz"). The fantastic script, by both Brooks and star Gene ("it's pronounced Fronkensteen") Wilder, was nominated for an Oscar, and so fantastic are the lines that you will find yourself using them in every-day life (I have and still do). This movie will make you giggle, chuckle and laugh out loud. It's the blueprint for all parody films ever made and it's still the very best. This is a movie that can be watched over and over, as little things will get by you on the first couple of viewings. I love the tip of the cap to "The Bride of Frankenstein" near the end of the film and especially love Kenneth Mars' portrayal of the heavily accented town Constable ("Footschteps, footschteps, footschteps!"). This is my all-time favorite movie. And "Bluecher" in German means "glue"...
  
  

• Well, why isn't it "Froaderick Fronkensteen"?

  
  By A2NJO6YE954DBH on 2004-06-19
  People might find other Mel Brooks films to be funnier, pointing to "The Producers" and "Blazzing Saddles," but I still think that "Young Frankenstein" is far and away his best film ever. Of course this might be because a lot of the credit goes to Gene Wilder, who co-wrote the script and plays Dr. Frederick Frankenstein, grandson of the infamous monster maker who finally decides to pick up the family business.

  Then there is the first-rate cast, with Peter Boyle as the Monster ("Putting on the Riiittzzzz"), Marty Feldman as Igor ("What hump?"), Madeline Kahn as Elizabeth ("Ah, sweet mystery of life at last you've found me!"), Terri Garr as Inga ("Roll, roll, roll in the hay!", and Cloris Leachman as Frau Blucher (Neeeeiiigghghh!!!!!). I even like the film score by John Morris that sets the right tone from start to finish, including the haunting theme that lures the monster back to the castle where he was born (with a nice French horn part for Igor).

  But what I really think makes this film work is that there are several scenes that are played absolutely straight, such as when Frederick reclaims his family name and the Monster is tormented in the jail cell. Then there is the doctor's speech at the moment of creation, which stacks up against anything you will find in any of the classic Universal Frankenstein films: "From that fateful day when stinking bits of slime first crawled from the sea and shouted to the cold stars, 'I am man', our greatest dread has always been the knowledge of our mortality. But tonight, we shall hurl the gauntlet of science into the frightful face of death itself. Tonight, we shall ascend into the heavens. We shall mock the earthquake. We shall command the thunders, and penetrate into the very womb of impervious nature herself!"

  Wow. Read that and tell me that Brooks and Wilder did not know what they were doing in this one. Yes, this is a comedy, but it has a strong affection for the films it is spoofing, "Frankenstein" and "The Bride of Frankenstein," that comes through in several excellent homages. The extra material included on the DVD shows that Brooks and Wilder left lots of funny shtick on the cutting room floor, which should not surprise anyone. There is no reason that "Young Frankenstein" and "The Producers" cannot be included on anybody's list of Top 10 Comedy Films of All-Time. They are both are mine.
  
  

• Homage to Horror
  By AWMXF7FDATJC1 on 2000-09-25
  This is probably Mel Brook's finest work, though some might vote for Blazing Saddles or the Producers. Not me, though. I'll take this one. In a tribute to the old horror movies of yore, Brooks puts together the perfect cast to carry it out. Gene Wilder as Dr. Frankenstein (pronounced FRONKENSTEEN), Marty Feldman as Igor (pronounced EYEGORE), Teri Garr as the lab assistant Inga, Peter Boyle, Cloris Leachman, and my personal favorite from the movie Madeline Khan. Her scene with Marty Feldman standing at the doorway of the castle and the one where she saunters into the bedroom looking like Elsa Lanchester are both absolute total screams. The great thing about the cast is the fact that they all are in total flow with the movie and with each other. The DVD has many extra features which makes it miles ahead of the VHS tape.
  
  
• Very disappointing.
  By A2R25P5YQUYCUY on 2003-06-05
  I purchased this because I saw it in High Definition on my widescreen TV about a week or so before its release. This is not a 16:9 presentation. It is a letterboxed 4:3 image.They got THE IN-LAWS right. Why couldn't they do it with this very funny movie?
  
  
• Puttin' on the Ritz
  By A3CIYAHOSN4F0Z on 2008-06-19
  Frankenstein and Bride of Frankenstein are cheerfully sent up in this witty, wacky parody. Fans of the originals will smile in recognition as their favorite scenes are played for laughs. Mel Brooks used many of the same set pieces from the original Frankenstein and filmed in black and white to add to the fun. A great deal of effort went into recreating the sets to give it authenticity. Wilder and Brooks clearly admired and enjoyed the original movies.
  
  Wilder, Peter Boyle, Marty Feldman, Teri Garr and Madeline Kahn and Cloris Leachman had a great time with all the double entendres and silly gags and their enthusiasm shows in their wonderful, inspired performances. Many of the funnier lines were ad-libbed and funnier sight gags thought up on the spur of the moment. Gene Hackman has a neat little scene as a blindman and the dramatic actor does a surprisingly good job with the humor.
  
  I'd strongly recommend seeing the Frankenstein movies before watching this. Young Frankenstein stands alone as a funny movie but framing it against the originals reveals its brilliance. In any case, you have to see this movie. It's more fun than a roll in ze hay.
  
  
• Hilarious movie, but flawed transfer
  By A1VD9LIJL4MQAY on 2006-11-27
  I won't go into the movie's worth as entertainment here - suffice to say that I think it's awesome and well worth 5 stars. But in this review I'm focusing on the technical aspects which I feel detract from the DVD.
  
  This DVD features a transfer that is known as 'matted widescreen' which works fine on smaller 4:3 TVs, but which looks awful on larger screen or widescreen TVs. I believe that every DVD today should be made in 'anamorphic widescreen' format so that the image is enhanced for viewing on a larger screen. If it's not then I think that the low image quality should be clearly marked in some way, as the lack of an anamorphic transfer makes a big difference in quality. In the case of this particular movie the image is very poor mostly due to the matted widescreen format that results in what's known as 'gutterboxing' (black bars all around the image) when the movie is played on widescreen TVs. Some TVs allow zooming in to fill the screen in cases like this, but then the image becomes very grainy - so much so that it's probably better to watch it in the 'gutterboxed' mode.
  
  So in conclusion, those with the older standard 4:3 TVs under 30 inches probably won't notice any loss of resolution. But for folks like me with big screen TVs I advise waiting until this movie gets an updated DVD treatment. Alternatively, if you own a DVD player that can play region 2 discs, the British Special Edition version (available from Amazon.co.uk) is an anamorphic transfer.
  
  
• A DVD extras review
  By A12A8LU93A132U on 2000-04-03
  This film is not one of my favorite Mel Brooks films. I like his more goofy films such as Blazing Saddles and Spaceballs. I got this DVD for the extras. The documentary is very good with some very funny outtakes. There are also some excellent deleted scenes too. A couple of scenes that are rightfully cut such as the reading of the will that would have explained the beginning better, but definitely dragged on. A shorten version of them should have been left in. A whole series of scenes that made Gene Wilder's and Terry Garr's 'intellectual discussions' a running gag that definitely should have been left in, they are hilarious. The outtakes are okay, they could have included more, and only about 10 minutes worth is included. The documentary has more and you get the feeling that a whole film could be made from just the outtakes. The commentary by Brooks in very good, he adds bits about the scenes, actors and other trivia that is enlightening. He isn't too verbose and he doesn't run out of things to say, both of which are common in other commentaries. Production photos are also included which I have never gotten much from. Finally, there are included two interviews with a Mexican newscaster which I found a bit weird and had me wondering what they were all about. A Mexican news team must have been visiting the film site. They are amusing in their own right, but doesn't do much but take up space. Overall, not as many extras as some Special Editions but adequate. This DVD is not a must have in my collection, but if you love the movie, a good DVD for fans.
  
  
• Comedic Classic: A Rare and Touching Gem
  By A2GYX971VETQBV on 2005-10-02
  YOUNG FRANKENSTEIN is one of the funniest movies I've ever seen. There are so many things that Mel Brooks and Gene Wilder got right in this film, it is hard to enumerate them. Suffice it to say that this film, spawned from a real love of the "Frankenstein" films of the 1930s, manages to satirize the originals with perfect grace, all the while creating a movie that is strangely touching in its own right. The comedy is spot-on and I found myself rolling at several points.
  
  The film itself is gorgeous. It is entirely shot in black & white. It was a great decision to do so, too: the black & white film lends the movie a "haunted" feel that transports the audience back to the shadows and gloom of the 1930s originals. Not only does the B&W film allow us to "get in the right mood," I also believe that it is what contributes to the fact that YOUNG FRANKENSTEIN achieves more than just a simple parody. As strange as it sounds, particularly when compared to modern parodies, this film manages to tell a touching story. There is a real human element to this film, despite all of its (hilarious) off-color jokes and humor.
  
  Let me make a few comments on the special features: this is not a crummy DVD. There are a bunch of extras that make this edition worthy of buying. The DVD quality is superb. Additionally, there is a commentary by Brooks, a 36 minute documentary, outtakes, deleted scenes, and some weird "Mexican" interviews. I particularly enjoyed watching the documentary of how this wonderful film came to the big screen. It was obviously a labor of love and it shows.
  
  If you enjoy Mel Brooks's films, the original Frankenstein films, or simply a great & timeless comedy, you honestly cannot go wrong with YOUNG FRANKENSTEIN. It holds up after thirty years and will continue to do so for many to come.
  
  
• You VILL enjoy ziss film!
  By A26JGAM6GZMM4V on 2003-07-03
  
  It is a credit to director Mel Brooks and to Gene Wilder, co-author of the screenplay, that this film has lost none of his comic impact since it was first released almost 30 years ago. Seeing it and The Producers (1968) again recently, I was reminded of the fact that Brooks' best comedies are those in which he does not appear. Also, I was again impressed by Brooks's respectful treatment of the original material (i.e. Mary Godwin Shelley's novel), more so than any of the earlier film versions, notably one starring Boris Karloff as The Monster.
  
  What else to say? The ensemble cast of Brooks regulars (Boyle, Kahn, Leachman, Mars, and Wilder) are all outstanding, joined by Marty Feldman, Terri Garr, and a surprisingly effective Gene Hackman as the Blind Hermit. In only a few other films has Hackman's gift for comedy been utilized. The ones I recall are three of the Superman films, Get Shorty (1995), and The Birdcage (1996): to a lesser extent in Unforgiven (1992) and The Royal Tenenbaums (2001).
  
  Nonetheless, the irrepressible Brooks could not resist the temptation to add some special seasoning of his own such as, for example, the schtick involving the word Blucher. (Frau Blucher finally admits that the late Henry Frankenstein was her "boyfriend"). As Brooks well knew, Gebhard von Blucher was a Prussian field marshal during the Napoleonic wars, infamous for his abuse of horses. (Following retirement from military service, his mental health was questioned when he claimed that he was pregnant with an elephant after being raped by a French grenadier. Such a claim could indeed raise questions.) Igor's shifting hump is also vintage Brooks as are the scenes when Frederick von Frankenstein (Fronk-un-STEEN!) bids farewell to Elizabeth (Kahn) before his train departs and then later when Inga (Garr) is happily "rolling, rolling, rolling in the hay" wagon.
  
  However, Brooks never allows such zaniness to overcome (obliterate?) the flow of the narrative as is sometimes the case in his other comedies. Although it may be difficult to believe, there is great dignity in this film which never serves as a target for ridicule. (That is what I meant earlier when suggesting that Brooks and Wilder are respectful of the original.) Even the slapstick (slapschtick?) such as it is helps to advance the plot.
  
  For these and other reasons, this is my favorite Brooks comedy.
  
  
• Masterful Comedy, Generous DVD Package
  By A387YJHBU90MT4 on 2000-01-19
  The movie, a marvelous spoof, is well known to most. The DVD packaging, however, deserves comment. This is the way to make a DVD. Apart from the film itself, perfectly transposed to the digital medium, are many extras: included on the disc are interviews with some of the cast, a 36 minute documentary of the making of the film, and an audio commentary by director funny Mel Brooks. The film was simultaneously an homage and a spoof. The DVD is pure homage. For all other studios -- this is how a DVD should be.
  
  
• "Des-ti-NEE! Des-ti-NEE! No escaping that for ME!!"
  By A3IB1W0SVED0Z3 on 2002-03-17
  Ah, yes... this is the month for me to once again watch some of those great old movies that have, over the years, become staunch favorites. This week it was one of my favorite comedies of all time: "Young Frankenstein."

  "Young Frankenstein" stars (among others) Gene Wilder, Marty Feldman, Teri Garr, Peter Boyle, Cloris Leachman, Madeline Kahn, and Kenneth Mars; the movie was written by Gene Wilder and Mel Brooks and directed by Brooks. This is a film widely recognized as one of the funniest comedies ever produced in Hollywood. In addition, it's also a brilliantly conceived, hilarious parody of the best and worst of all those old Frankenstein movies produced by Hollywood.

  It's based on the nineteenth century novel "Frankenstein," the classic nineteenth century gothic novel written by Mary Wollstonecraft Shelley... but with a wickedly funny, satirical twist. Our story is set in modern-day (late twentieth century) times; our protagonist is the scion of the latest generations of Frankensteins, an American neurosurgeon and college professor named Dr. Frederick Frankenstein (played by Gene Wilder.) Our protagonist is the grandson of the infamous Dr. Viktor Frankenstein, that nefarious Transylvanian scientist who dug up graves, exhumed dead bodies, and tried to bring those corpses back to life. The heir to the Frankenstein fortune, Dr. F. travels to Transylvania where he's soon transfixed by his grandfather's twisted scientific work...

  The film is a 1 hour, 45 minute-long series of well timed jokes - many of them subtle, and others very broad in nature, all brought together to perfection by an ensemble cast that delivers their lines to perfection. Many of the jokes probably shouldn't be as funny as they are, and probably wouldn't be if they weren't so expertly timed by Wilder, Feldman, Garr, Mars, and Boyle. It's obvious that the cast had a lot of fun making this movie. And when the cast has fun... well, the audience is in for a real treat!!

  For those who have seen the movie at least once, who can forget those oft-quoted scenes between Dr. F and Inga: "What knockers!" "Thank you, Doctor!" and "Put the candle BECK!!"? Or how about the uproarious scene (my personal favorite) between the monster and the blind hermit (played by, of all people, Gene Hackman)? Or the wooden-armed Police Inspector Kemp's (Kenneth Mars) interview with Dr. F over an errant game of darts? Or the arrival of Dr. F's fiancée (or is that "financier?" or "financée?) : DR. F: "Eyegore, would you help with the bags?" IGOR: "Soitanly, mahster... you take the blonde and I'll take the one in the toiban!!"

  If you've never seen "Young Frankenstein", it bears close watching the first time you see it. That's because, in addition to the broad and sometimes coarse jokes, there are a lot of very subtle gags throughout the film as well. A few of the jokes may be unfamiliar to those who have never seen the classic old-time "Frankenstein" films... especially "Frankenstein" and "Bride of Frankenstein." Don't worry though... there's enough humor in this zany film to keep every viewer laughing for long after the final credits have rolled.

  Since its release in 1974, "Young Frankenstein" has become a classic... one of the most oft-quoted films in history. It ranks number 13 on the American Film Institute's list of "Funniest American Movies of All Time." Folks, if you're one of those few people who haven't done so yet, you just gotta see "Young Frankenstein" to appreciate the wonderful humor interspersed throughout!!
  
  

• "Put.....The Candle.....Back!".....
  By A1NV8HZTGKIPXQ on 2001-10-17
  Young Frankenstein is Mel Brooks' crowning achievment. He would never again reach these great comedic heights ever again in his career. Gene Wilder stars as a descendant of the mad doctor, Victor Frankenstein. Although Wilder insists on it being pronounced "Fronk - In - Steen". This movie, although released in the mid 70's, is filmed in great black and white. It was a great touch that added the mystique of the film. It wouldn't work again until 1994 when Tim Burton did it for his masterpiece film "Ed Wood". The cast and performances are inspiring. A young Teri Garr is mighty catching in her finely tuned comedic performance. The great Marty Feldman co-stars as Igor, who doesn't seem to notice the rather large hump on his back. Then there's Cloris Leachman as Frau Blucher(thanks Paul). She is one of our finer female comedians. There's even a cameo by Gene Hackman. Lastly, we come to Peter Boyle. A great actor who gives a knee slapping performance as the monster. The dance sequence to the song "Putting On The Ritz" still makes me laugh just thinking about it. Lucky for us, we get to see more of his comedic talent every week on "Everybody Loves Raymond". Sadly, watching the brilliant Madeline Khan only saddens the viewer to know that this brilliant comedienne is no longer with us. She will be horribly missed. There is jokes and sight gags galore throughout the whole movie. Each one is a winner. So is this classic.
  
  
• This film trancends generations - Mel Brooks' best!
  By A2OG7XE23X5UM2 on 2000-08-22
  I loved this film when Dad took us kids to see it in the 70's when first released and watching it still gives me endless chuckles today! "Young Frankenstein" is not only Mel Brooks' best film, but the entire cast's best performances are captured in this pic as well. Totally over the top! And a great FAMILY FILM to boot (although I'm sure that was not Mr. Brooks' intention). I wish Mel and Gene Wilder could see my little four year old nephew watching this movie -- it's the perfect combination of a 'scary movie' and a 'funny movie' combined. He loves pretending to be the Monster singing "Puttin' On the Ritz!" Really a close call with "Blazing Saddles" as Brooks' best but I'll have to give this one the edge since it is so endlessly enjoyable. And who could forget Marty Feldman as Igor, or Madeline Kahn as the high-class fiancee? Hilarious! If you haven't seen this one you are definitely in for a treat!
  
  
• A comedy with brains and heart
  By A3QZCA4LTTVGAD on 2001-06-28
  Mel Brooks' "Young Frankenstein" is a remarkable film: it is a spoof of a beloved classic (the original film version of "Frankenstein") which is now a beloved classic in its own right. A fun homage to YF was rendered by the irreverent sci-fi series "Farscape," in which wisecracking lead character Crichton referred to a sinister alien adversary as "Frau Blucher"--the name of Cloris Leachman's YF character.

  YF is both a spoof and a sequel of the original "Frankenstein" film. It concerns a young scientist (the brilliant Gene Wilder) who is heir to both the name and legacy of the infamous scientist who created a monster from dead human remains. Young Frankenstein takes up the family tradition with outrageously funny results.

  Several elements combine to make YF one of cinema's all-time great comedies: witty dialogue, deliciously eccentric characters, hilarious sight gags ("Put--the candle--back"), and one of the best comic ensembles ever assembled on film. On top of that, the production design, costumes, and make-up brilliantly evoke the classic Hollywood "monster movie" vibe. And there's a great humorous song-and-dance sequence for the doctor and his creation.

  As funny as it is, YF is also a deeply compassionate and humanistic film. Brooks treats his zany collection of characters with genuine affection. "Young Frankenstein" ultimately has a kind-heartedness to match both its intelligence and wit.
  
  

• His...Name...Is..."FRANKENSTEIN!"
  By A1J2931UBBJPXM on 2001-07-31
  Ever wonder about what might have happened to the journals kept by the infamous Dr. Frankenstein, or the notes he must have made while conducting his ill-advised experiments, attempting to reanimate dead tissue? And what of his descendants? How would his legacy of horror have affected them a few generations down the line? Well, ponder no more, because these questions and many more are finally answered forevermore in �Young Frankenstein,� an hilarious parody directed by Mel Brooks. Dr. Frankenstein�s great-grandson, Frederick (Gene Wilder), is a doctor and teacher whose research has gained him some renown in his own right, and he has done his best to disassociate himself with the tarnished reputation of his ancestor (he even pronounces his name �Fronk-en-Steen�). Then one day he is notified that he has inherited his great-grandfather�s estate, including the castle, in which the elder doctor�s laboratory has been preserved. Frederick, of course, must go to Transylvania to settle his affairs; but the whole affair soon becomes unsettled when Frederick discovers that it is impossible to escape his destiny. And once he arrives, the die is cast and there is just no turning back, as he can no longer deny that his... name... is... FRANKENSTEIN!

  On his own, Mel Brooks is usually good, even great, but when he teams up with Gene Wilder it becomes something extra-special, which first became apparent with �The Producers,� in 1967. But the directness with which Brooks approaches this material, combined with Wilder�s understated performance makes this their all-time best. They co-wrote the screenplay, and with their differing perspectives of comedy they managed to capture the best of both worlds and strike a balance that works to perfection here. Brooks hits you over the head and gets right in your face with a gag, but Wilder steps aside, grabs it by the tail and hits the pause button (so-to-speak), just long enough to really put the joke across. Together they�re like the ying and yang of the comedic universe. The screenplay is clever and includes all of the elements that successfully evoke the essence of the old B&W horror films that are such a part of cinematic lore today. What they give you with this film is the Frankenstein story with contemporary sensibilities, while presenting a cast of characters that take it over the top.

  As far as the performances go, nobody, but nobody could have played Frederick better than Gene Wilder. He employs that prolonged, meaningful pause of his (nobody does it better), which he usually accentuates with a slight shifting of the eyes-- just before he delivers a line-- that can make even a mediocre line hilarious. His subtle approach and staid countenance play this material perfectly, and complimented by Brooks� straight ahead direction it allows the humor to flow naturally and freely and never fails to get the right kind of laugh at just the right time. The way they capture the sense of the original �Frankenstein� (and the many sequels) is uncanny, from the overall look of the film to the reactions by everyone at the mere mention of the monster, to the throng of anxious villagers led by the unfaltering and inarticulate Inspector Kemp (Kenneth Mars).

  Besides Wilder, who is clearly the star of the show, the supporting performances turned in by this superlative ensemble cast are absolutely impeccable, beginning with Peter Boyle as the monster. Boyle has the gait and the growl down pat, but also conveys so much with his expressions and introspective comportment. Then there is Marty Feldman as Igor (that�s �EYE-gore�), whose bug-eyed portrayal of the little hunchback who refuses to acknowledge his hump (mainly because he doesn�t realize he actually has one) is hilarious. Teri Garr is a joy to behold as Inga, Frederick�s lab assistant, and Cloris Leachman practically steals the show as Frau Blucher (and don�t say her name within earshot of the horses). Mars also creates a memorable character by putting a mumble and a wooden arm to especially riotous use, and last but not least is the wonderful Madeline Kahn as Elizabeth, Frederick�s intended who ultimately finds something grand to sing about.

  Also included in the supporting cast are Richard Haydn (Herr Falkstein), Liam Dunn (Mr. Hilltop), Danny Goldman (in a memorable bit as a medical student who challenges Frederick during a lab demonstration), Anne Beesley (Little Girl), Michael Fox (Villager) and Gene Hackman in an uproarious cameo as Harold, the Blind Man. Often a parody of this nature wears thin after awhile, and even the best rarely manages to maintain a level of excellence for even thirty or forty minutes, let alone for 105 minutes as this one does. And without question, �Young Frankenstein� delivers on a level to which few films of this nature can even aspire. Arguably one of Mel Brooks� best-- if not THE best he�s ever done-- and with a definitive performance by Gene Wilder, this parody takes a place among the all time greats in the history of the cinema. It�s funny stuff that gets funnier every time you see it, and that�s the true magic of the movies.
  
  

• This Monster Nevers gets off the Table
  By on 2002-06-10
  I received it as a gift....one of my all time favorite movies!!! Non-anamorphic, letterbox format. This means that in a progressive scan DVD player, you get a very small "widescreen" format picture surrounded by black bars on every side. I could not believe how the basic format was so poorly set-up. And then a mono-sound track....GIVE ME A BREAK!!! How can you take one of the greatest comedies of all times and put so little effort into the digital format??????? This version needs more than shock treatment to bring it alive. There are too many parts missing from this creation.....I say, take this poor excuse for a DVD back to cemetary and bury it for good. It took nearly 5 years to get THE USUAL SUSPECTS done correctly...you'd think Hollywood had learned its lesson....obviously not.
  
  
• There wolf!
  By A3RSKSWADQ82C0 on 2004-12-17
  I watched this hilarious spoof so many times on video as a teenager that I had it memorized by the time it came out on DVD. But that did not stop me from buying the DVD, of course. Why? The film is an absolute must-have for any self-respecting movie fan. I first popped in the DVD with the Mel Brook's commentary track and subtitles switched on -- and it was almost like watching the movie that first, glorious time. Another big plus about the DVD are the bonuses: I never knew that the film was actually the brainchild of Gene Wilder and that he is the one who should have walked away with the Oscar screenplay award, not Mel Brooks.
  
  
• Hysterical.
  By A34PAZQ73SL163 on 2005-04-15
  If you get a chance to, find somebody in the free world who has not seen this movie and tell them to take a gander. Young Frankenstein is miles ahead of all but one of Brooks's films. It's absolutely hilarious even if its not the superlative, Blazing Saddles. Feldman is the creator of quite a few laughs and I had no idea that Terri Garr was that attractive when she was younger. Kahn is a riot and Boyle does fine work. Brooks gives the narrative some cute little twists such as transpires with the little girl by the well. Without giving anything away, let me say that the ending is excellent and tough to predict.
  
  
• "Put....ze....candle....beck! "
  By AXC2AS1I00UWZ on 2000-07-25
  Regardless of whatever else they may have done in life, Gene Wilder, Teri Garr, Madeline Kahn, Marty Feldman, Peter Boyle, Kenneth Mars and Cloris Leachman have forever been immortalized by that crazy genius Mel Brooks in this, the funniest and cleverest comedy ever made. There have been some exceptional comedies produced over the years, but this one has got the perfect combination of ingredients to make it the best ever. I can practically guarantee that you will never look upon any of these performers in the same light after you've seen them in this gem! And there hasn't been a funnier teaming than Gene Wilder and Marty Feldman since the early days of Walter Matthau and Jack Lemon; these two are side-splittingly funny together! This is truly a monumental comedy, containing some of the funniest scenes ever filmed and the most memorable and quotable one-liners and zingers ever uttered. You will absolutely have to watch it a number of times to be able to catch everything that happens during the course of this fine film--the funny moments just come too fast and furious to be absorbed during the first viewing! The oh-so-subtle references to past movies and performers, the over-the-top performances themselves, the perfectly timed sound and musical effects, and the overall feeling produced by the use of black-and-white film, all combine to make this a most memorable viewing experience. Turn out the lights, unplug the phone, and watch this beauty with someone who has a good sense of humor and loves a great comedy, and you'll see for yourself just what a classic it is!
  
  
• Buy the DVD format, even if you own the VHS
  By on 1999-10-26
  Others have extolled the virtues of this film, and I take no issue with what they've said. This is fine, fine comedy.

  More importantly, it's a fine, fine DVD. If you're wondering why there's buzz about DVDs, buy this film. Unlike some DVDs, which offer little more than a remastered version of the film print itself, this DVD is rich with all the features that the DVD format allows. With everything from a behind-the-scenes photo shoot, to cast interviews with Mexican TV, to a making-of featurette--and an optional running audio track by Mel Brooks--"Young Frankenstein" sets a high standard for a format which is still, after all, in its infancy.
  
  

• Wilder at his best!
  By A35JE1NQ0HL8RQ on 1999-12-28
  This was among the first of my three DVDs that I ever got. I just had to buy it because the ombination of Wilder, Kahn, Garr, Boyle, Hackman, Feldman, and Garr was too hard too resist!

  One of the funniest films ever made, you never get tired of it. never get tired of Inga rolling in the hay, or "Fronkensteen" stabbing his leg with a scalpel, or the Monster dancing!

  This is loaded with exras- Outtakes, Mexican interviews(gene, Marty, and Cloris), trailers, loads of photos, TV spots, but best of all, is Mel's commentary!
  
  

• One of the best Mel Brooks Movies Ever!
  By A5OLZCDKGED5Z on 2000-01-01
  This is a great movie. Mel Brooks is a classic Comic Genious. And this is one of his funniest movies! It is the only Mel Brooks movie in which he didn't make a live appearence. But you hear his voice as the origional Frankenstein. It stars Gene Wilder, Teri Garr, Kenny Mars, Cloris Leachman, Gene Hackman in a hilarious cameo role, and, my favorite, Marty Feldman as the Hunchbacked servent, Eyegore. Buy this movie!
  
  
• Put....the candle....back!
  By A1N7ZQGH4VJV7Z on 2000-12-29
  This is a DVD that doesn't disappoint. The audio and video are wonderfully restored. The audio commentary and "making of" documentary are excellent. And the outtakes are fun, albeit few.

  The icing on the cake are the deleted scenes. Each deleted scene (I believe there are 7 or so) is farely long and could easily have been left in the film.

  DVD makers, take note! This is the type of DVD we want to own!

  And of course, this is one of the funniest films of all time.
  
  

• This Creation Has Life
  By ANM4I38VRP1VR on 2001-05-28
  I have seen all of Mel Brooks' films, and I consider Young Frankenstein to be his finest work. All the jokes still work in this movie, even 26 years after it was theatrically released. Young Frankenstein is a great parody for three reasons. The first, every actor in the cast are at their hysterical best. This illustrious cast includes Gene Wilder (Dr. Frankenstein), Teri Garr (Inga), the late Marty Feldman (Igor), Madeline Kahn (Frankenstein's Fiancee), Peter Boyle (the creature), Cloris Leachmann (Frau Breuheimer), and an amusing cameo by Gene Hackman (the blind old man). Second, Young Frankenstein was filmed in glorious black and white. Therefore, an audience could automatically connect this film with the two films that it lampoons, Frankenstein and The Bride of Frankenstein, also filmed in black and white. Lastly, Young Frankenstein utilized the same lab equipment that was used in the original Frankenstein film. This gave Young Frankenstein visual authenticity. Along with Tootsie, Airplane, and There's Something About Mary, Young Frankenstein is one of the funniest comedies in cinematic history. Young Frankenstein is the benchmark that all other movie parodies should be compared to. No DVD collection would be complete without Young Frankenstein.
  
  
• waist
  By on 2001-08-27
  Dolby digital 1.0 is just like saying MONO!! And a non anamorphic transfer i only have 2 words "Why Bother"???
  
  
• a comedy that stands the test of time -- and lots of extras!
  By A2C27IQUH9N1Z on 2002-07-16
  Young Frankenstein is Mel Brooks' funniest film, and one of the ten best comedies of all time. With an hysterical script and brilliant cast, every scene is laugh-out-loud funny as cast and crew send-up the horror movie genre.

  DVD extras are plentiful: view the film in English, French or Spanish; English subtitles; a director's commentary track; an entertaining documentary on the making of the film; 5 trailers; 7 deleted scenes; tv spots; cast interviews in Mexico; outtakes; and production photos.

  Filmed in black-and-white and presented in widescreen format, comedy lovers will adore this film, and the many extras make the dvd an essential item for your collection.
  
  

• As worthy as the movies it spoofs.
  By on 2002-10-21
  1974 was an amazing year for Mel Brooks. In this short space of time, he unleashed on America a pair of the funniest American farces of all time: *Blazing Saddles* and *Young Frankenstein*. (As if burned out by the exertion, he would never scale these heights again.) *Young Frankenstein* is Brooks' most daring movie, insofar as it dares to spoof a pair of films -- *Frankenstein* and *The Bride of Frankenstein* -- that were exceedingly campy in the first place. But very little has ever daunted Brooks, whose impudence extends to using the same lab equipment that was used in Whale's movies. Brooks even shoots his farce in much the same manner as Whale shot his films (similar sets, "iris" fade-outs, the works). The result of all this is that the silliness on display is ironically, and comically, dignified by the handsome look of the movie. Perhaps a little more dignity is added as a result of Gene Wilder co-writing the screenplay. Apparently inspired by a love for the Frankenstein movies of the 30's, Wilder -- as writer -- brings a sentimentality to the proceedings that was totally absent from, for example, *Blazing Saddles*. (As ACTOR, he brings melodramatic screaming that's hilariously contradictory to the "straight man" lines of dialogue he assigns himself.) Wilder is aided in this by Peter Boyle as the Monster. Boyle surprisingly gives as much pathos to the role as Karloff ever did, despite suffering such Brooksian indignities as having ladlefuls of hot soup poured on his crotch by a blind hermit . . . and it is here that Brooks is at his best, by the way. He savages the classic scene from *Bride* by having an uncredited and unrecognizable Gene Hackman behave like a whiny dolt. The "blind hermit" scene was the one serious moment in James Whale's ocean of high camp . . . but after you see what Brooks did with it, you'll never see that scene in the original movie again without cracking a smile. Put it this way: Brooks knows what butters his bread. [The DVD is perhaps over-lavish. Commentary, 36-min. documentary, dozens of trailers and TV spots, production stills, etc. Seems like a lot of dressing for this particular salad, but if you're a fan of the movie, you'll be in heaven.]
  
  

• Monty Python and the Holy Grail (Special Edition)
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