Apple Aperture 1.5 [Old Version] Reviews

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Apple Aperture 1.5 [Old Version]x$279.97

(24 reviews)

Best Price: $299.00 $279.97

Using its comprehensive collection of tools, with Apple Aperture 1.5 you can easily import, manage, edit, catalog, organize, adjust, publish, export, and archive your images more effectively and efficiently than ever before.

Designed from the ground up for professional photographers, Apple Aperture provides everything you need for after the shoot, delivering the first all-in-one post-production tool for photographers. And now it's fully compatible with Intel-powered Macs. With advanced RAW workflow, professional project management tools, advanced image processing, and versatile printing and output options, Aperture will radically simplify the way you produce and manage your photography.



Fine-tuned to maximize the advantages offered by Macintosh hardware and Mac OS X Tiger, Aperture offers breakthrough speed and quality -- whether you're working with RAW, JPEG, or TIFF images.
And with the most powerful image processing in the world, Aperture is fast -- whether you're working with RAW, JPEG, or TIFF images. Aperture supports the RAW formats from all leading digital camera manufacturers (including Canon and Nikon) and provides optimized support for such market leading cameras as the Canon EOS 1Ds Mark II, Canon EOS 20D, and Nikon D2x as well as the highly popular Canon Digital Rebel and Nikon D50. It also supports the Adobe DNG format.

Whether you're a fashion, wedding, sports, portrait, fine art, commercial, or editorial photographer, Aperture's color-managed workflow and flexible design tools will help you easily create stunning prints, customized contact sheets, elegant books, and web pages as beautiful as the images you capture.

Advanced RAW Workflow
As a photographer, you know all about the benefits of shooting RAW. With access to all the data your digital SLR can record, you're capturing images of startling quality, great dynamic range, and virtually no noise. And now, for the very first time, you have an application that provides you with more control of the final image than you've ever had before. One that actually makes working with RAW files as easy as working with JPEGs.



The tools -- including Levels, White Balance, Exposure, Sharpening, Noise Reduction and more -- afford you the freedom to experiment without having to worry about damaging your valuable original images. View larger.
Providing the very first all-in-one tool for your post-production needs, Aperture lets you work with RAW images through every step of the digital workflow without first having to convert your images into another format to make necessary image adjustments, eliminate red-eye, remove dust, crop, organize images, or print contact sheets.

Aperture provides you with the tools to do it all -- import, edit, catalog, organize, retouch, publish, and archive your photographs -- in a RAW-focused workflow that's the first of its kind. Rather than using another application to manage your images, Aperture offers built-in project management with robust and flexible tools that make it easy to handle thousands of projects.

They include a powerful suite of tools for editing a photo shoot. It's one of the most tedious jobs any photographer faces, and it's been particularly taxing when shooting RAW. But Aperture provides tools specifically designed to work with RAW files and to speed you through the process of sifting through thousands of images, culling the rejects, comparing the keepers, and identifying your absolutely finest photographs.

Nor do you have to convert your images in order to make needed adjustments. You can perfect them without having to leave Aperture, using a powerful suite of nondestructive image editing tools. The tools -- including Levels, White Balance, Exposure, Sharpening, Noise Reduction and more -- afford you the freedom to experiment without having to worry about damaging your valuable original images. That's because Aperture applies modifications only to "versions" of your images and never to the original "master" images themselves.

Professional Project Management
Aperture, the first all-in-one post-production tool for photographers, provides everything you need to manage your photo library: flexible organizational tools, comprehensive metadata support, and powerful search tools that let you find files instantly.



For easy organization and searching, Aperture comes with collections of associated Keyword Sets (and lets you create your own).
Aperture lets you import photos from a wide variety of sources and preserves the method you used to organize files when you drag folders from your hard drive and drop them into Aperture. In fact, because Aperture supports both AppleScript and Automator, you can streamline many aspects of your workflow by automating those day-in day-out tasks you repeatedly find yourself doing.

Organize a photo library with thousands of projects any way you want -- in Projects, Albums, Folders, or any combination thereof. Create multiple Albums of related images within a Project. Or nest folders inside a project to organize albums, books, websites, and light tables. You can even have Aperture automatically group images together into Smart Albums based on defined criteria. With Aperture, you can work on multiple projects at once and freely copy or move photos among folders, projects, and albums.

Aperture lets you view, extract, and add metadata with unprecedented ease. On import, it automatically extracts all industry-standard EXIF and IPTC metadata. What's more, it lets you comprehensively add important metadata -- copyright, captions, keywords -- at the point of import.

As you work with images, you're never more than a keystroke away from seeing your metadata in, for example, the customizable Metadata Heads-Up Display, where you can customize the metadata to suit your needs. You can also choose what metadata Aperture displays with your images and what metadata to embed when you export images. And when it comes to keywords, Aperture significantly outshines other applications. It not only supports true, hierarchical keywording but also provides a number of intuitive ways to assign keywords to images.

For example, Aperture comes with collections of associated Keyword Sets (and lets you create your own). Call up the Wedding Set, for example, and you'll have a group of associated keywords -- bride, table shots, wedding party, vows, candids, limo, cake cutting -- any of which you can assign with a keystroke.

Using the Keyword Heads-Up Display, you can drag and drop keywords onto a single image or entire group of images at once. And, here's a real time-saver, once you've assigned a variety of keywords to an image, Aperture lets you "lift" them from one image and "stamp" them onto other images. Assigning and working with keywords has never been simpler or more rewarding.

Powerful Compare and Select Tools


Open any of the Heads-Up Displays (HUDs) available in Aperture to adjust levels, increase brightness, modify color temperature, assign keywords, straighten horizons, or make any other adjustments you'd like.
It's the biggest, most taxing job you have as a photographer. You've finished your shoot. You've taken thousands of photographs. Now you need to quickly edit the shoot, reviewing all of your photos and identifying your very best. Aperture helps you accomplish this with powerful and flexible tools designed specifically to address the needs of the professional photographer.



Aperture lets you view multiple photos side by side, offering a great way to evaluate similar images or multiple versions of the same image. View larger.
If you've shot transparencies, you're familiar with stacks. You've almost certainly created piles of similar images for fast comparison on your light table. In Aperture, you can employ the same technique with digital stacks. Aperture lets you create stacks manually, pulling images into Stacks from any album, project, or folder in your Library. Or you can have Aperture automatically create Stacks for you based on the time interval between shutter clicks (1 second to 1 minute). This provides a quick and easy way to compile a sequence of bracketed or sequentially shot images for review. To further aid image comparison, Aperture lets you quickly rate your images using a six-level rating system (1 to 5 stars plus "reject"). When you're finished, you can collapse the Stack to eliminate clutter from your workspace.

Of course, with that large, high-resolution screen right before your eyes, wouldn't it be great if you could take advantage of all that real estate and review your images full screen? With Aperture, you can. In fact, Aperture lets you view your images full screen as large as screen real estate permits. And if you have two displays, you can take advantage of Aperture's expansive full-screen mode on both of them to create an incomparable working environment.

Using the Filmstrip displayed along the bottom or side of your monitor, you can see thumbnails of all the images you're reviewing. You can navigate through them quickly and easily to find the images you want to see, even organizing them on the fly. Open any of the Heads-Up Displays (HUDs) available in Aperture to adjust levels, increase brightness, modify color temperature, assign keywords, straighten horizons, or make any other adjustments you'd like. Aperture also lets you view multiple photos side by side, offering a great way to evaluate similar images or multiple versions of the same image.

Nondestructive Image Processing
With Aperture, you never have to worry about retouching images or trying out different image adjustments because Aperture makes protecting your RAW images job one. Designed to protect your images from the moment they're imported, Aperture identifies your original images as digital "masters," and it has built-in safeguards to ensure that you can't accidentally overwrite or modify them. In fact, it's physically impossible to alter a single pixel of a digital master. Instead. Aperture takes a novel and completely nondestructive approach to image editing.



Thanks to Aperture's no-regrets retouching policy, you can experiment freely without fear or concern, creating as many "versions" as you'd like with different exposure settings, image croppings, color temperature modifications, level adjustments, or any combination thereof.
Thanks to Aperture's no-regrets retouching policy, you can experiment freely without fear or concern, creating as many "versions" as you'd like with different exposure settings, image croppings, color temperature modifications, level adjustments, or any combination thereof until you achieve the exact results you're after. And you don't have to worry about making a mistake. You can modify or delete any adjustment at any time and with no consequences.

Unlike the duplicate files you need to create in other applications, image "versions" take up virtually no storage space, so you don't pay an overhead penalty. And Aperture automatically keeps track of all your image versions for you, sequentially numbering them on the fly and connecting them to the "master" image as part of a Stack.

Offering native RAW image editing and breakthrough speed, Aperture puts the most essential adjustment tools at your immediate disposal via either the Adjustments Inspector or the Adjustments Heads-Up Display (HUD). Using these tools, you can fine-tune exposure, use a Histogram to check and adjust levels, set white balance, or modify highlight and shadows. If you need to crop, straighten horizons, reduce noise, correct red-eye, or eliminate dust, you'll find intuitive tools available to you. In fact, if you use any of the adjustment tools to modify or retouch an image, you can use Aperture's unique "Lift and Stamp" tool to apply those modifications to any number of additional images.

Versatile Printing and Publishing
Using Aperture, you can produce high-quality prints and contact sheets, design customized books, and create impressive websites as beautiful as the photographs you take. Best of all, you can do it all with drag-and-drop ease.



Produce high-quality prints and contact sheets, design customized books, and create impressive websites as beautiful as the photographs you take.
Once you select the profile for your printer, you're ready to take advantage of an Aperture feature you're going to use over and over again: Softproofing onscreen in the live Preview area of the application's robust and resizable Print dialog. If the image you see isn't perfect, fine-tune your output by making Gamma adjustments or by turning on black-point compensation.

If you've ever tried to print contact sheets using other photo applications, you're probably familiar with the expression, "there's gotta be a better way." Now there is. Aperture lets you print contact sheets more quickly and easily than you can using just about any other photo application available today.

There's more good Aperture printing news. In addition to helping you create your own color-correct prints, Aperture also provides an integrated print-ordering service that lets you order silver-halide prints directly from Kodak and Fuji at highly competitive pricing. Color managed for consistency, the prints assure predictable results and are available in standard sizes and large formats.

You can also depend on Aperture's built-in color management if you use a service bureau to print your photos. Aperture's Export Preset editor lets you simply select the ICC profile recommended by or obtained from your service bureau from a drop-down menu. Aperture embeds the profile in your files upon export, so you'll know what to expect when you get the photos in the mail. Beautiful, color-accurate prints.

Presenting prospective clients with a handsome, bound and printed Stock Book sends a powerful message. And Aperture makes the production of such high-quality bound books both simple and affordable. To help you put a unique stamp on them, Aperture includes a sophisticated book-layout engine that offers significant design flexibility.



Need to publish your photos to the Web fast? Aperture's WYSIWYG Web publishing tools make it easy. View larger.
Want your website to be as beautiful as your photos? Aperture makes it drag-and-drop easy. No need to learn HTML or to use cumbersome wizard-based page generators. Aperture includes professionally designed Gallery and Journal templates to get you started. With the former, you can create pages of thumbnail galleries; with the latter, narrative-style web pages that mix photos with text and can include your own photos as custom headers.

Unlike other photo applications, Aperture templates aren't set in stone. Using the web gallery template, for example, you can decide how many rows and columns of images appear on each page, how large the thumbnails should be, and what metadata should accompany the images.

What's more -- and this is important -- Aperture's web-authoring environment is WYSIWYG. Any change you make happens on screen in real time, so you can see the effect right away. This offers a significant advantage over the many wizard-based applications that force you to step through one dialog after another. Cumbersome to use, they don't let you see the results of your changes until the very end. Aperture offers a welcome change, letting you see your site develop right before your eyes.
MPN: MA715Z/A - UPC: 885909129942




Customer Reviews

  • Updated Aperture library format in 1.5


    By A2GLAFB46IUJP7 on 2006-11-26
    As mentioned around the web in various places, the updates in 1.5 (and 1.5.1) are significant. One the the most important updates is the the ability to manage referenced files (as apposed to importing files into the library directly).

    I work with RAW files from my Nikon D200 which average around 10mb each. I currently have nearly 4 thousand photos in my library. Aperture keeps the thumbnails for the originals (masters) in a vault on my MacBook Pro while I store the actual raw files on a collection of external Raid 1 drives. The new tools in 1.5 make it easy to migrate images from my laptop to external drives and back as well as backup the entire Aperture database. The local thumbnails let me find images I want without having to mount each of my external drives. I can find the photo I want and pull up where the raw version is currently stored.

    As one of the others mentioned, go ahead and give LightRoom from Adobe a try, and while your at it give the free 30 day trial of Aperture a go as well. If you work with a lot of images especially from a mobile platform you will love Aperture.

    I worked with both back to back and found the Lightroom interface cumbersome and annoying at times. The stepwise workflow of Lightroom seems to be focused on the development process of a single photo. Aperture on the other hand makes it feel very natural to make quick adjustments or add metadata to a full shoot of photos without the extra fuss of switching modes. Features such as stacks and the Loupe tool are indispensable when organizing many similar photos.

    In the end I would give Aperture 5 stars except I believe it should not be so ram hungry. With 2GB of ram in my 2.33Ghz MacBook Pro the performance is acceptable but it does not leave much memory for running other applications. Based on the performance updates in 1.5.1 I think the Apple developers may wring some more performance out of this application yet -- when that happens a 5th star may be in order. And as for Lightroom, I am sure that if Adobe thought it was actually ready for prime time it would not still be in beta.

  • Not ready for prime time...


    By A1C6L7IT84VE3Z on 2006-11-14
    I've owned this software since it's ridiculously overpriced $500 1.0 inception. Even at it's latest 1.5.1 $299 version Apple should still be ashamed of themselves. I use Final Cut Studio and own 3 recent Macs, so I've been devoted to Apple to say the least. I am a professional wedding photographer/videographer. I have been more than patient with this software. It looks great, up to Apple's standards in design and vision but remains absolutely plagued with bugs. And unless you pay Apple laughable amounts of money (much more than the cost of the software itself!), they will not provide support on anything except installation...even if there software update is the source of the issue. As someone who has been such an Apple fan, I feel obligated to let everyone know that unless you enjoy pulling your hair out and repeating tasks over and over again do yourself a favor and DOWNLOAD LIGHTROOM FROM ADOBE.

  • Falling behind Lightroom fast...


    By A3SKXRB5QQWMLZ on 2007-05-01
    As a professional photographer, I was thrilled when Aperture came out. It was just the push I needed to finally switch over to Apple computers. I've spent the better part of 7 months using the product to manage workflow for sports and wedding assignments.

    At first, using Aperture was helpful. It clipped large amounts of time from my workflow, and it has a lot of cool things like the Loupe built into it... but I found that a lot of them were just toys, not usable tools. The interface lacks that Apple intuitiveness and seems to always need more steps than necessary. Using it in conjunction with Photoshop slowed both programs to a standstill. Worst of all, it always wanted to create more thumbnails than necessary. I could understand doing a before and after thumbnail, but if I made an adjustment like a crop with their tools, then also a Photoshop adjustment, pretty soon I was looking at three thumbnails, not two, and to make it worse, if I had rated the adjusted file and then did a search by ratings, all I got in the search results were the unedited results, not the retouched versions. In addition, the internal image adjustment tools don't have the same crispness that the corresponding Photoshop tools have.

    When Adobe Lightroom came out, it was a revelation. The image adjustment tools behave like the full Photoshop versions, it's faster, makes batch changes simpler to do, and it even allows you to work on the early files of an import from a card reader while the rest of the images are still uploading. When you consider that Lightroom is also PC compatible, it opens it up to a lot more users. If most of your adjustments are just color and exposure corrections, you'll never even need to open Photoshop anymore, instead of the co-existing that Aperture forces you into.

    I've retired Aperture on my main machine, and installed Lightroom on both of my computers, one of which never had Aperture. My workflow now takes 1/4th of the time it did on Aperture. I realize that this reads as much like a Lightroom review as an Aperture one, but I don't think you can discuss the one product without comparing it to the other. If you need to, download the free demos of each of them and see for yourself-- Adobe beat Apple at their signature style: their product is simpler, more intuitive, and more elegant.

  • Switched From Lightroom


    By A16A9HJDHHEOFR on 2007-05-30
    When I purchased my MacBook Pro I had no intention of switching to Aperture, but downloaded it and tried it out of curiosity. I have since sold my Lightroom license and am purchasing Aperture. There are specific reasons for that decision.

    First, I really like the feel of Aperture 1.5 better than Lightroom, it is more intuitive to me, and the whole project thing with light tables works great. I have ~10,000 images that I never did get organized with Lightroom and was able to do so in the first few days on Aperture.

    The intergration with other apps on the Mac is great - Aperture 1.5 (not 1.0) creates hi-res previews of all my images (see speed note below) and I can work away from my files to update my website, email proofs, design, etc. I keep all my photos on an external drive and leave them at home with me. When I am out of the house working, which is most days, I have my entire library with me without filling up my MacBook Harddrive. Once I need the hi-res file to either edit or send to a customer, I plug back in at home and work seamlessl. With lightroom I was not able to work unless the files were with me.

    I had expected Aperture to be slow, but it is not slow. It is very comparable to lightroom, really no difference to mention. There is ONE RALLY BIG CAVEAT ABOUT SPEED with aperture -- when I imported those 10,000 images, the import seem to go fast, maybe 20 minutes or so. BUT, it is not done at this point. In the background Aperture is creating thumbnails and hi-res previews (which can be shut off, but I need them). That is alot of processing for any program, and in the background it ran for HOURS, without me knowing. When I closed Aperture it paused the process, when I restarted Aperture it resumed the process, so for the first few days that I used it, the speed was slow. Then I realized what was going on -- look in the window menu for SHOW TASK LIST, and you will see the progress.

    If others did not know this was going on and tried to get immediately to work in Aperture, they would think it was very slow. I wonder how many people have dumped thousands of photos in and used it for 30 minutes and then uninstalled it assuming it was slow? Lightroom handled this much better, showing the progress in the corner and also was faster by default with the 1:1 preview turned off.

    In conclusion, Aperture works great for me on my MacBook Pro 17". I love it and I'm sticking with it. I do miss the vibrabce slider from lightroom, no question, and the develop module in lightroom is better, though not enough to stop me. I jump to photoshop cs3 when I need the vibrance controls.

    The best advice I can offer when making the decision between Lightroom and Aperture (or others) is spend the 30 days with them and see which one gets you WORKING and getting things done. For me, that is Aperture.

  • Excellent - fundamentally change the way you work with photos!


    By A3V10TJNFQM3ZG on 2007-01-30
    I've been using Aperture for about three months now and can only say that the transition has been amazing. Aperture comes with a free training DVD (watch on your TV or computer) which really helps you learn how to get the most out of the software.

    I've gone from someone who only rarely edited photos due to the hassle of making duplicate copies, firing up Photoshop, wasting extra hard drive space, etc. to someone who edits more than half of my photos. Aperture only saves the recipe used to create the changes to your photos, but doesn't make a copy when you edit - this means no wasted space, no wasted quality, and the changes are extremely easy to modify or revert later. The ease with which photos can be edited and organized in this program is phenomenal! Features such as stacks (groups of similar images with only the top one showing) and the vault (to backup your Aperture library with one click!) are wonderful. If you really want to use Photoshop, Aperture even lets you send files to it for editing with one click, and as soon as you save from Photoshop, they come right back into Aperture with the changes!

    The only drawback of this software that I can see is the CPU and graphics horsepower it requires. I use it on a 1.5 GHz G4 PowerBook with 1.5 GB of RAM, and it works well enough on JPEG images; but feed it a bunch of RAW files from my 8 MP camera and it takes its sweet time! I'm sure this would run much better on a modern Intel based Mac. If your computer is any slower than mine, I wouldn't bother. But anything from mine on up should be fine.

    Come on - order your copy today! ;-)

  • Better image management tools
    By A2J0IBS4PFRO2C on 2007-03-28
    I've been working in both Apple Aperture and Adobe Lightroom, and though I really like Lightroom's simplicity and design, I have to say that Aperture wins out in terms of image file management, which is very important for me as a wedding photographer.

    Aperture is a little harder to learn because it's more fully featured than Lightroom, at least for now it is. Both applications offer very similiar features, but the smart folder and keywording features of Aperture are for more useful than the Collection features of Lightroom.

    Aperture is less linear than Lightroom. You can work in various different moduals without having to switch back and forth between gallery and digital development moduels like in Lightroom.

    I also like what Apple is trying to do with the solutions workflow in Aperture. It's almost possible to complete an entire wedding project without having to leave out of Aperture, except to do additional enhancement work in Photoshop or for laying out an album. Aperture has an album layout and creation feature but its printed albums are not as high end as you find outside the program.

    Both Aperture and Lightroom have their pros and cons, but for now Aperture is still head of the game in terms of digital asset management (or DAM, as it's popularly called.)

  • A digital SLR's best friend
    By A241153E487SMT on 2006-11-18
    How quickly people forget the pain of managing RAW images with just the operating system and a copy of Photoshop. Thanks to Aperture (and its subsequent imitators) managing (and interacting with) huge RAW libraries becomes invisible and easy.

    I specifically like the full-screen mode, which puts the images front and center. Likewise, the Loupe tool lets you check focus on an image without taking the focus (no pun intended) away from the photography. And you can make changes to the images without having to convert them, then edit them, then hit Save-As everytime you have a new idea. Aperture is completely non-destructive. The RAW image is loaded and adjustments to it are tracked seperately (yet seamlessly) so that you never have to worry about losing your master.

    There's a lot more in the app beyond these things, which is what makes it such an amazing piece of software. Its a digital SLR's best friend.

  • The Product 1.0 should have been
    By AD8ZIWR0A6K0Q on 2006-12-26
    I hated 1.0. It was slow and buggy. It forced you to store all your files in a single library on a single disk. The editing tools ranged from extremely difficult to impossible to use. It was incredibly expensive

    This latest release is what we were originally promised. The editing tools actually work. In fact, I find myself very rarely using external editing programs any more. You can use files that are referenced on other drives or even CDs or DVDs. The stacks are a usable tool. Some dangerous shortcut key combinations were revised. RAW file rendering is better. It runs like lightning, especially on the Intel Macs. It is reasonably priced.

    I have used Adobe Lightroom (beta), iView, Extensis, and several others. Aperture is now the best. Lightroom has some serious catching up to do. Several features have not been implemented yet, and we do not have a timetable for commercial release. And it is now much slower than Aperture. iView needs to learn how to handle larger catalogs and fix its stability problems. Extensis Portfolio is just showing its age.

    Update, now that Lightroom has been released:

    In general, I find that Aperture performs most tasks faster than Lightroom. That said, it is hard to choose between the two now that all of Lightroom's features are working. I have become used to Aperture's workflow and so I prefer it, possibly out of habit. Note also that the new iPhone will synchronize with Aperture folders. Aperture exchanges files easily with iPhoto '07 and '08.

    Importing new files is fast, especially if you are using an ExpressCard port or FireWire 800. Aperture creates thumbnails immediately and then begins producing larger display JPGs, which can be a time consuming process. Aperture does not interface with tools like DxO Professional and provides no serious batch processing tools of its own. DxO Pro will crash if it tries to open files that are currently being displayed in Aperture. However, this is not a serious problem. You could, in fact, automate a workflow that imports files from a watch folder, sends them to DxO, and imports the resulting files into the correct project. This means that there is little reason to use anything but Adobe RAW in Aperture. You can archive your original RAW files and keep the much smaller Adobe RAW files to work with in Aperture. If you really need a camera RAW file, just retrieve it from your archives and import it into Aperture.

    I generally do not like an Aperture library of more than about 10,000 files, as it starts taking too long to load, so I create a new library when my library exceeds that. The "manage files" window still needs some work. Links can and do get lost in the ordinary course of things and the "manage files" window is supposed to help you restore them. Unfortunately, it is a little too confusing and it does not always work. A better "manage files" window is probably the only item on my wish list for version 2.0.

    There are some interesting tools for automating your workflow in Aperture available now from third parties for free or a very low price. Some allow creation of a "watch folder" that automatically imports photos from your camera and displays them as they are taken -- very useful for studio work. You would also need your camera's image capture software, of course.

    There are not enough books on using Aperture effectively. However, most of what is written about Lightroom or Capture NX workflows applies equally well to Aperture.

  • It's just sad really
    By A1BDJK501QH72G on 2007-02-23
    I wanted to like this product. I really, really did. The quickie demo movies all made it seem like it was a breeze to use, but for me, the reality is very different.

    Out of all the Pro apps, this one has the most ill-conceived user interface. Even if you are very highly experienced with other raw conversion software packages out there (and I've used pretty much all of them extensively), very little is obvious, and the button tooltips are sparse and non-descriptive. Granted, it's a complex product that does complex things, but I have a hard time believing anyone on the engineering team responsible for this heap has any professional photography or retouching experience whatsoever. Logic and Final Cut have even higher feature densities, and they still manage to put the controls where you expect them to be when you expect them to be there. The obvious difference of course is that Logic and Final Cut were both developed by someone other than Apple originally, and those people knew what they were doing.

    It's also very, very slow. Think you're going to whiz through adjustments like they do in the demo movies? Unless you've got a top-of-the-line Intel system, think again. Even with the loupe view active, on my G5 I get nothing but beachball cursors for anywhere from 10-30 seconds every time I touch an adjustment slider, and frequently the image just plain fails to update at all.

    Probably the single biggest Aperture flaw however is its arrogant solipsism. Even though everybody knows this is not supposed to be a Photoshop replacement, Apple seems to have gone out of its way to pretend that Photoshop doesn't exist. Aperture cannot read or display anything but the absolute simplest of Photoshop files, so if you need to do some localized adjustments non-destructively with layers, you can pretty much forget about round-tripping them back into Aperture. They'll either display as absolute garbage, or as a simple white square with a text message alerting you to the fact that "This layered Photoshop file was not saved with a composite image" in multiple languages.

    And of course, it doesn't support DNG files, tethered shooting or medium format backs, either. Isn't this supposed to attract the pros?

    I have no doubt that some people will love this app, but every time I launch it I find myself wincing. Lightroom is by no means a perfect product and I have a great many complaints about the way it does some things, too, but at the end of the day, it does let me get my work done pretty quickly. I cannot say the same about Aperture, and its price tag is frankly just ridiculous.

  • Outstanding RAW Conversion and Photo Organization/Management - Highly Recommended!
    By A2Q78OZKS0YJR8 on 2007-06-14
    I have been using Aperture since version 1.1, and love it. The few issues/disappointments I had were resolved with version 1.5.x.

    In terms of my camera, it is Nikon's top-of-the-line D2X. As such, the RAW files that Aperture has to deal with are large 12-megapixel images. And Aperture handles said images with ease. (Bear in mind that I am running Aperture on a first-generation MacBook Pro 17" laptop.)

    I also evaluated Adobe Lightroom -- both during Beta and after the 1.0 release -- and it is also a great program. But I much prefer Aperture's UI, as it does not "get in the way" as much as Lightroom's does. (Having to switch between Lightroom's various modules -- Library, Develop, etc. -- tends to impede my workflow.)

    My personal preferences aside, both Aperture and Lightroom are outstanding applications. The only caveat is that both require powerful hardware when working with large RAW files.

    Bottom line, you may want to download the trial version of each, to see which is more comfortable. Otherwise, at least as of this writing (Aperture 1.5.x vs. Lightroom 1.0.x), both are evenly matched feature-wise.

  • Great RAW Workflow Tool
    By A31T1JN58S9E8I on 2007-03-04
    I've used just about all the tools out there and I have to say that this one is really, really great. Some people complain about the user interface, but it's the user interface that makes this a rock-star product to me. With no manual or instruction of any type, I was up and running with Aperture within hours of installing it and importing my 50+ gig worth of RAW photos. On my MacBook Pro (core duo), Aperture is acceptably speedy processing large RAW files from my Canon EOS 5D. I now take my laptop to the field with me and feel that my workflow has never been better or faster. I can't wait for version 2. It can only get better and better.

  • Best raw converter combined with photo organizer
    By AFWF1IT147IBE on 2007-05-07
    I wanted a raw converter that allowed sufficient control and adjustments so that I could avoid the use of another program for printing (e.g. photoshop). Aperture provided that and eliminated the use of iView Media Pro as my photo organizer. I tried Lightroom but Adobe cleverly left out some adjustment controls (sharpening) so that you still needed Photoshop. (Gee, I wonder why ?) With the demise of iView since it was bought by Microsoft, Aperture has filled the bill. I tried Bibble but it was not able to make conversions of high key photos.

  • Terrific photo organization product - and then some.
    By A2VMP6XLNPISC9 on 2007-08-15
    Apple has again outdone themselves and created a terrific tool for organizing and cataloging photographs. There is a small learning curve, as to be expected with any product that provides so much flexibilty, but the user's manual that came with the product is excellent and walks you through everything you need to know - easily and understandably. Some of the best money I've ever spent.

  • This is a dog
    By A1TRX62NYIH5QE on 2007-05-12
    Forget about this product. Managing photo collections is a horrible slow-motion experience filled with bombs, unexplainable occurrences and incredibe inefficiency. This program was not ready for release and it shows in almost every phase of the application. The interface is terrible and the results are inconsistent and amateurish. This program DOES NOT run like the Quicktime demos which Apple shows. In action the most consistent feature is a spinning beachball as the application plods through even minor tasks. Check back again in two years when Apple either "upgrades" this to a real product or allows this pig to die a well-deserved death.

  • Completely disagree with orangekay
    By A1XPFAH9TLNXX9 on 2007-03-02
    This is a powerful program with FAR more pros than cons.

  • Apple Aperture V1.5
    By AY96A9AOR0BHQ on 2007-08-13
    This is truly a professional level digital photography post-processing package. It is also excellent for handling and storing digital imagery. It sports several features that are very unique, for example if you already have a photographic file structure you can have Aperture pull the images without moving them and changes made to these images do not impact the original files.

    This is a must have package if you do digital photo post processing on the Macintosh.

  • iphoto with more teeth
    By ATB468S1IC04H on 2007-10-24
    This program is basically a more involved iphoto. You can change levels, crop or straighten, add all your meta-info and organize the photos. If you want this to take place of photoshop cs3 or something like that, you aren't going to be happy with Aperature at all. badbadbad for image manipulation..goodgood for adjusting contrast or exposure. Actually, iphoto is good enough. Dont buy this, get photoshop.

  • Powerful, flexible and a resource hog
    By A11406D8KDGVHH on 2007-10-02
    I am an amateur photographer who shoots a lot of RAW files. I bought Aperture because I liked the powerful organizational and correction tools, as well as the flexibility built into the work flow. I really like being able to tag my files with keywords during the import process. Stacks are a wonderful way to quickly reduce the number of photos at which I am looking. Non-destructive editing of my files is great and I really appreciate that Aperture conserves hard drive space by not creating a new file when I apply changes. Unlike Photoshop Lightroom, which I also tried, Aperture makes it easy to do the photo management and improvement steps in any order that I choose. The one big problem is that Aperture can be very slow. I have an Intel iMac with a 2.0 GHz Core 2 Duo processor and 3 GB of RAM. Aperture still slows down on a regular basis and makes me wait for it. The issue may be that I have only 128 MB of video RAM. I would recommend trying the trial version if there is any doubt about the speed of your Mac.

  • Niche Product Without a Niche
    By A2MJHJ3VYTS7V8 on 2007-11-24
    I have Aperture, but I haven't touched it since Apple introduced iPhoto '08.

    For organizing your photos--even by the thousands-- nothing beats iPhoto. Better still, iPhoto '08 comes for free on a new Macintosh, or can upgrade to it for eighty bucks with the purchase of Apple's latest iLife suite. For 90% of what I need to do, iPhoto does just fine. For the other 10% of my photo editing needs, the heavy-duty stuff, nothing but full-on Photoshop CS3 will do.

    So where does that leave Aperture? In between the cracks of iPhoto and Photoshop.

    There's nothing wrong with Aperture. But it's not the organizer that iPhoto '08 is, and it's a much weaker editor than Photoshop. Save yourself the money and don't bother.

  • Let's talk candidly!
    By A2VZE4TSUGF4OZ on 2007-12-27
    5 stars because it is a promissing new program positioned for very strong success due to Apples market position and its use, and availablity on its Mac computers

    The good news:
    This is a great program for viewing, organizing and performing basic editing using RAW files. The presentation ablilities of this software are magnificent. I will mainly use it to organize, display, present, email, create slideshow or DVD's, and maybe print from my databases on my Mac.

    For advanced photo editing features you will have to rely on other methods.



    The not so good news:
    Aperture 1.5 is the second in the line from Mac for Mac use. Photoshop would be the obvious choice for any type of advanced photo editing or graphics creation softwares. If that is your thing, get Photoshop or one of its dirivatives. Or install vmware fusion or parallels and work windows XP or Vista on your Mac, and use the wide variety of photo processing applications available for windows. You can save the file in RAW, Jpeg, Tiff or whatever, and then open it up in Aperture for any additional presentation commands within your Mac.

    Again hopefully this product is in its early development stage. The folks at Aperture must add a slew of editing features to remain relevant as other softwares catch up and exceed the demands placed by the new Dual Core technologies which are emerging.

    What it doesn't do:
    Take Layering for example, or working with layers. Take one click auto fix commands for contrast, levels, lighting, sharpness, exposure etc.(somewhat,but very archaic) Along with macro adjustments for the same. How about one click Black and white, spehia, antique, negative or other conversions. iPhoto does it. how about a back and forth over changes command for quick do's and undo's.Where is Hue alteration(found it!), Diffuse glow, texture and color, copy, and clone features. Paint, text, edges, and filters. good gracious, where are all the filters? Why cant you cut, copy, duplicate and paste from one pic to another?

    I guess it depends on where you have been regarding advanced photo processing features offered by all the variants of photoprocessing softwares. And what you are ultimately trying to create.

    This is 90% workflow and organizing software/10% editing.

    Again, Hopefully the folks at Aperture plan to expand this products capability before the plethera of available softwares make it irrellevant. It would be nice to have one software for everything. Aperture is just one part of the solution at this point.




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Product Features
  • Universal Binary version: works with Intel- and PowerPC-based Macs.
  • Advanced RAW workflow
  • Nondestructive Image Processing
  • Professional Project Management
  • Powerful Compare and Select Tools


 
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