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Celtic Treasurex$9.92
    (62 reviews)
Best Price: $9.92
Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places on her remarkable musical journey. Recorded in Dublin, Ireland, Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places in her remarkable musical journey. For the first time the album also includes several original tracks written by Hayley herself. Celtic Treasure is a celebration of Hayley's family roots, and her grandparent's journey across the World on the first boat that left Ireland for New Zealand in the 1880s - taking with them a rich musical heritage. Her grandmother - a singer, and her grandfather, who played the accordion, were to be important influences on Hayley's musical development. Hayley grew up hearing her grandmother singing Italian opera arias in English. Hayley has continued this tradition by recording the well-known aria One Fine Day... ('Un bel di) from Puccini's Madama Butterfly. Hayley's grandmother also sang Irish folk tunes, and Hayley includes one of them - Danny Boy on the album as a tribute to her. Another Irish folk tune Sonny, is the first recording in which Hayley accompanies herself on the piano. In the same vein as Hayley's signature song Pokarekare Ana from her debut album Pure, Hayley's deep sense of pride as a New Zealander, and the simple beauty of her voice come together in E Para Ra - a Maori lovesong reflecting her own love of her homeland. Hayley's first recordings of her own songs bring together all these musical influences. They include her compositions Let Me Lie and Summer Rain and her lyrics to a haunting lute song by the Elizabethan English composer John Dowland, called simply Melancholy Interlude.
Having sung before royalty and performed with the Irish super-group Celtic Woman, Italian tenor Andrea Bocelli, and Welsh baritone Bryn Terfel, the very young and remarkably beautiful singer is back with a tribute to her Celtic ancestry. As with her previous Platinum-selling releases (she is already a huge star in her native New Zealand, Japan, Australia, and the UK), the orchestrations are lush, with sighing phalanxes of strings and woodwinds. But in keeping with the avowed theme, there are also soft touches of soulful, wavering tin whistles and vaguely fiddle-like violin vamps. The program is more varied than the album's title might lead one to expect, encompassing everything from "The Last Rose Of Summer" and "Danny Boy" to "Shenandoah," "Scarborough Fair," "Abide With Me," and even a couple of more pop-oriented songs penned by Westenra herself. However, brief sideways winks toward Nashville or the Great White Way do not adulterate the album's overall mood of ethereal, remote bliss. The one misstep is an English-language cover of "Un Bel Di" ("One Fine Day") from Puccini's Madama Butterfly: an aria unsuited to the artist's fragile, bell-like soprano and placid temperament. This aside, established classical crossover/theatrical divas like Sarah Brightman would be wise to begin looking to their laurels. --Christina Roden
MPN: 000856002 - UPC: 289475853124
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Customer Reviews
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Brilliant!      By A3M5VQPLCCM7RD on 2007-03-14
Hayley has an extraordinary voice, a rare talent that may manifest once in a generation. I think she has at least equalled Sarah Brightman which is no small accomplishment, particularly since she has yet to celebrate her 20th birthday. Her choice of program material continues to be excellent and there are no fillers on Treasure (I have the UK version, ordered directly from Amazon UK). My standout tracks are Let Me Lie, Notte del Silenzio, Shenandoah, Summer Rain, One Fine Day, Sonny, and Abide by Me. If you buy the US version, I suggest the Walmart version as you will get an exclusive bonus track, Mummer's Dance by Lorenna McKennitt. Although some of the material does fall into the Celtic music category, I prefer the UK naming. The different versions of all Hayley's releases are a source of confusion and frustration, but blame this on the label and the different chart targets among the worldwide markets.
Some of Hayley's own material is featured on Treasure, including Let Me Lie and Summer Rain. The latter is reminscent of Enya's best work. I am certainly impressed with her songwriting ability and hope to see more original work on future projects. Hayley also plays the piano beautifully on Sonny, a piece I find no less moving than Angel by Sarach McLachlan. That is high praise indeed. As much as I love Hayley's classical material, the more contemporary pieces are my favorite... ditto for Sarah Brightman.
Hayley is absolutely beautiful and a great performer. If you don't already have it, order her DVD (Live in New Zealand) with Treasure. My favorite tracks on the DVD are Pokarekare Ana, River of Dreams, Across the Universe of Time (great backup vocals by her sister Sophie -- another future star ?), Who Painted the Moon Black, Hine e Hine, and Wuthering Heights. I have without exception preferred Hayley's covers to all others' renditions and even the original. This includes Wuthering Heights, a song that I never thought anyone but Kate Bush could pull off. Hayley has an unparalleled vocal range and has full control and clarity across it all.
I am a serious audiophile and the recording quality is high. Thankfully Hayley's gorgeous voice is crystal clear and the engineers did not over-compress the music. [Josh Groban's CDs suffer badly from poor recording technique which is most unfortunate]. I think a duet with Hayley Westenra and Josh Groban would be amazing, by the way.
Already very popular in New Zealand, Australia, Japan, and Europe, I think Hayley will soon break out and become a household name in the USA. She is participating in the 2007 Celtic Woman tour. While I am a fan of Celtic Woman (particularly Lisa Kelly), I think Hayley can only be properly showcased as a soloist. Given the success I expect her latest CD to have, and the exposure from the Celtic Woman tour and New Journey concert DVD, I am hopeful that Hayley will embark on her own USA tour in the not too distant future.
A jewel of an album...      By A3I9PUR2E3BSJC on 2007-03-17
Hayley Westenra's third CD, Celtic Treasure, is a somewhat misnamed as it isn't strictly "Celtic" -- it's an eclectic collection of songs that perfectly showcases her crystalline soprano. The disc features several favorites that are staples on Celtic music releases, such as "Scarborough Fair," "Danny Boy," and "The Water is Wide." Also included is "Last Rose of Summer," a gorgeous duet with Meav from the group Celtic Woman, a nod to Hayley's current involvement with that ensemble (as featured on the recently released A New Journey CD & DVD). Their voices blend beautifully. In addition to these well-known "classics," Hayley expands her artistic horizons with this album which features her in the roles of song writer, arranger, and pianist on a handful of selections. Two of her song writing efforts are particularly striking - "Let Me Lie" is a lovely, lyrical song with an arrangement that possesses a lush, almost cinematic quality, while "Summer Rain" features a driving rhythm reminiscent of Enya's classic "Orinoco Flow." There is a nod to the pop sensiblity that was exhibitied on Hayley's second disc, Odyssey, in songs like "Summer Fly" which recalls the jazz stylings of "I Say Grace" from that disc, allowing Hayley to "cut loose," this time on a toe-tapping, folk-flavored tune. Hayley's extraordinary talent has become more and more evident with each successive album, exhibiting a continued trend of artistic growth and vocal maturity. Her voice has lost none of the purity found in her 2003 debut (aptly titled Pure) or the ability to hit unbelievably high notes with apparent ease; rather, her voice possesses an added depth and richness indicative of her maturation as a vocalist. It's worth getting this album from Walmart, as there it includes a bonus track -- Hayley's version of Loreena McKennitt's "The Mummer's Prayer," which is wonderful. For fans of classical crossover artists like Sarah Brightman, Josh Groban, and Amici Forever, Hayley Westenra is a vocalist to watch. She consistently raises the bar with every release, cultivating her voice and skill, delivering each song as a perfectly polished gem.
Heaven Indeed!      By A3P6XI50S1W1XM on 2007-04-18
I completely agree with another reviewer that this is Heaven. Miss Westenra's voice is pure poetry. She has really grown since I first heard her sing. I have been a fan since her CD Pure. I had only wished that I had heard of her before that. She is incredibly talented. The beauty of her singing touches you to the core. It is hard to describe it.
I frequently purchase the import versions of her CD's because they have additional songs. Treasure certainly lives up to its name. Miss Westenra's family has a rich musical background which leads back to Ireland. These are songs she grew up listening to and has made her own.
I especially love "Let Me Lie," "Shenandoah," and "Abide With Me."
I can't say enough about this artist. I wish her all the success in the world! I recommend that anyone who hasn't heard of Miss Westenra yet, take a listen. You don't know what your missing.
Enjoy!
Jennifer
The best one yet!      By on 2007-03-13
Celtic Treasure opens with `Let Me Lie,' a beautiful, slow piece that shows off Hayley's vocal timbre and her ability to express emotion in her singing. The peaceful sounds of the harp and flute take you away to a grassy field, and you can almost see the clouds passing overhead as you lie on the ground. The song gradually builds up into a beautiful, dramatic chorus -- "heal me through as I lay here with you." This says so much about how Hayley values the earth -- her involvement with the Women's Environmental Network, her belief in natural remedies and alternative medicine, and her unabated love for her mother-land of New Zealand. What a promising way to open an album! (And the rest of it does not disappoint!).
The second song, `Scarborough Fair,' is beautifully arranged and orchestrated. Hayley's stunning vocal performance brings out all of the emotion and Celtic flavour that made this piece so timeless in the first place. `Shenandoah' follows, a wistful song about a man taking his love with him across the Missouri River. There are many things people have compared Hayley's voice to -- a songbird, an angel, a violin -- but I think her voice is most like water: it flows fluidly and effortlessly into every soaring note, and fills every little nuance in the song, giving it a fullness and sparkle that belongs to Hayley alone.
`Summer Fly' starts off quite misleadingly, with a flute that makes you expect another slow, Celtic song like the previous two; instead, it turns into a delightfully upbeat piece that takes you right into a summer night somewhere along the coasts of Cape Breton (the fiddler in this track is Cape Bretonian Natalie MacMaster) where the people are all dancing and socializing, hiding the burdens and sadness in their hearts. Hayley skilfully balances the cheerful melody with the sad lyrics; it is a bittersweet song that brings back a lot of memories for me.
`Summer Fly' is followed by `Whispering Hope,' a brief hymn with a comforting message and a very satisfying fullness in its sound. I love the simplicity in this piece, and the inclusion of the choir produces a really warm, earthy effect. `Danny Boy' steers the album back into a Celtic direction. This is a standout track which features Hayley's voice at its best; the minimal backing allows the listener to truly appreciate the beauty of her soaring high notes. I'm struggling to find words to describe it, but, as this review has nearly reached a page in length (and I'm not even halfway done!), I think it is sufficient to say that this song is pure magic!
`Summer Rain' begins with a pulsating rhythm of pizzicato strings that is maintained throughout the song. Hayley gets the message of the song across crystal-clearly; her diction has improved a lot since Pure (and her Kiwi accent lends an extra-special touch to the songs without being obtrusive in the least). This piece paints a bright and vivid picture of life and love; while it is relaxing, it is not "background music," which is a real plus for the whole album.
The next song on the list is `The Last Rose of Summer,' which she sang in the CD `Celtic Woman: A New Journey,' with Meav. While I really like this song as a song, I find this particular version lacks the depth found in the vocals and arrangement elsewhere on this album. Don't get me wrong -- anything Hayley does is miles away from being "bad" (I'm not being biased -- it's true!) but this is a bit of a lowlight for me. I do, however, like the idea of it being done as a duet; it gives the song a bit of a new spin, and Meav's voice is lovely!
When I first heard Hayley would be singing `One Fine Day,' I was surprised because this is a very operatic song. However, Hayley makes it her own by having it arranged with guitar and soft orchestral backing, which gives it a bit of an `easy listening' tone. This does not make the song any less dramatic; only more `approachable' for its listeners. The Italian lines give it a nice touch, and the long, high note at the end is breathtaking!
The next song, `Sonny,' is one of my favourites on this album. Its lyrics are very simple but they just break your heart when you listen to them. Hayley sings this song in a soft voice; almost a half-whisper that speaks straight to the listener's soul. A real gem! `The Water is Wide,' follows. This song seems a natural choice for any classical crossover artist, but as usual, Hayley's version is delightfully unique; with lush orchestration and flawless vocals. As a side note, it is worth mentioning that Hayley plays the piano in both of these songs.
`Melancholy Interlude' is a beautiful but brief piano-piece-turned-song, featuring lyrics written by Hayley. While the melody is lovely, it's really the lyrics that make this piece for me as they fit the song perfectly. Songs like this are always in danger of becoming "dark" if overdone, but Hayley lends just the right amount of... well... melancholy, to make it hauntingly beautiful without being depressing!
The album closes with `Abide With Me,' a beautiful hymn full of hope; which can draw its listeners out of despair and sorrow by its sheer beauty and comforting lyrics. The album, at times sombre, at times lively, at times wistful, at times earthy -- ends on a most heavenly note!
The iTunes bonus track edition of CT also includes the track 'E Pari Ra', where Hayley goes back to her Kiwi roots to sing a beautiful traditional Maori melody. There's something magical about this song; it makes me think of nature; of things living, blooming, of tears and of laughter. There is so much captured in that song -- a most beautiful ode to Hayley's beloved homeland!
A SPECTACULAR TREASURE!      By A69WGW9Z2OKIA on 2007-03-14
It's official: Yet another heavenly angel has hung up her wings, knowing it would be hopeless to try to compete with the awesome beauty of this fabulous voice! Hayley Westenra, with that tone you'd love to hug and kiss all through the night, has done it again with her third international album. That deliciously appealing girlish tone is still evident, yet there is now new richness and maturity as well. As ever, the song selection and arrangements are a garden of aural delight. Hayley has co-written 3 of the selections this time (tracks 1, 7, and 12) and even plays piano on track 10. "Summer Rain" is especially delightful, with its pizzicato strings reminiscent of Enya's magnificent "Orinoco Flow". (Now THERE'S an idea---a Hayley-Enya duet sometime in the future! What do you say, fans?). Hayley's smooth renditions of "Shenandoah" and "Danny Boy" are sure to please, and her flawlessly powerful soprano on "One Fine Day" will sweep you away. I find it curious, though, that Decca Records opted to leave off the catchy and very tasty "Santa Lucia" and instead included it on the UK version of this album (which is entitled simply "Treasure"). I would have thought "Santa Lucia" would have had tremendous appeal in the US, especially in the southwest. All in all, this is a masterful collection of beautifully sung and srranged songs, well worth owning. Join the retired angels and just sit and enjoy, with your jaw dropped. THANK YOU, HAYLEY!
- Treasure the Moment
     By AQ0G6NLXAWAVF on 2007-03-30
This is no ordinary album. It is a magnificent work of art, studded with diamonds. If you think that is OTT, wait till you hear it and you will know it is an understatement.
Let Me Lie. The album opens with a slow, gentle, lyrical song that admirably demonstrates Hayley's crystal clear vocals. As it develops, it is supported by lush strings.
Scarborough Fair. This delightful song will forever be associated with Simon and Garfunkel but Hayley brings a fresh new sparkle to it. The clarity of her voice is outstanding.
Shenandoah. Hayley's melodious vocal with hauntingly beautiful backing, largely from the strings, is stunning. The addition of a rat-a-tat from a snare drum at the end almost suggests that she will break into a chorus of the Battle Hymn of the Republic. This doesn't happen but the effect is quite exhilarating
Summer Fly. A lot of people have said that Hayley should be a little more adventurous and include something a little "less safe". Well, your wish is granted. Turn up the volume and this up-tempo number is electrifying. If she performs it in concert, her audience may begin by tapping their feet, but come the final verse, they'll be dancing in the aisles. Brilliant.
Whispering Hope. This is just plain lovely. With its choral backing, it has a very full, rich sound, yet the overall effect is very soothing. It is a short track that clearly whispers "hope".
Danny Boy. This song has surely been waiting since the day it was written for Hayley to sing it. You will never hear a lovelier version. Throughout much of the song, she is backed only by a harp but gentle strings enhance its beauty in the final verse. And check out the final note which she holds for a full thirteen seconds.
Summer Rain. Pizzicato strings supply an introduction which is unusually rhythmic for Hayley. Are we in for something exciting? Well, not exactly but her lush vocal blends perfectly while this rhythm is sustained by the orchestra. Maybe you need to hear this song a few times to fully appreciate its beauty but there is nothing wrong with that. Indeed, its beauty is enhanced every time you hear it.
The Last Rose of Summer. This is one of the loveliest duets you will ever hear. Performed with Méav Ni Mhaolchath (of Celtic Woman), the beauty of the two voices in the final verse brings tears to the eyes.
One Fine Day. How pleasing that Hayley chose to sing this mostly in English, yet it is still an interpretation that does Puccini proud. Hayley's remarkable voice control is breathtaking, yet she makes it sound so easy. I love the low note on the word "then". Such a lovely tone and hit with precision accuracy.
Sonny. I had only heard a relatively lively Country and Western version of this song - something I actually believe Hayley could have performed rather well. It therefore came as a slight shock to hear this slower, more gentle version but how perfect it is, especially when you consider the poignancy of the lyric. With merely a piano accompaniment, which incidentally is played by Hayley, her voice shines through and its emotion is spine-chilling.
The Water Is Wide. Another traditional song is delightfully arranged and performed to bring a new dimension to it. Absolutely beautiful.
Melancholy Interlude. This soothing melody is quite enchanting. Its brevity leaves you wanting more yet, somehow, it is that very brevity which makes the song so lovely.
Abide With Me. Imagine Hayley singing a cappella in a huge and cavernous cathedral with magnificent acoustics. That is how this final track begins. Gradually joined by piano and then strings, this hymn never sounded better. In the final verse, the restful melody becomes triumphant.
Overall, this is a sensational masterpiece throughout which Hayley's voice projects into the room so much that you believe she is really there. This album is purer than Pure and more beautiful than Odyssey. It is indeed Treasure - more precious than gold.
- Highlights Westenra's strengths but also her weaknesses
     By AN94YI3URSAII on 2007-04-18
I've been on the fence about Hayley Westenra as a vocalist for a while now. While she has a beautiful timbre and purity to her voice she also lacks strength and power. Essentially it's a pretty voice, but a small one. The right repitoire for her shows off her naturally lovely sounds without calling attention to it's thinness. Thus she tends to work best when she's singing pop, hymns, or folk music.
For the most part this album plays to her strengths with a focus on traditional Anglo/Irish/Scots ballads. On songs like Danny Boy, Shenandoah, Abide With Me, Scarborough Fair, and Melancholy Interlude she shimmers with an ethereal purity. If this album were comprised of only such pieces I'd have given it 4 or 5 stars.
But Westenra includes several tracks that not only are not in keeping with the tone of the album but are not really suited to her voice. Her rendition of Un Bel Di from M. Butterfly is adapted to more of a song than an aria. That change is appropriate since Westenra is far from an opera diva. Unfortunately even in song format Westenra's voice is too small to do justice to the exquisite melody. Where she should soar (even if not operatically) Westenra simply sings higher. Her renditon of "Summer Fly" is equally awkward. Westenra sounds as if she's trying to sing a country western tune. As most country music does have it's roots in the Anglo/Irish tradition this is in keeping with the theme of the album. However the style doesn't work with the voice. Westenra also includes a few original songs that she wrote, or cowrote. For the most part these are pretty, but dull.
As I said earlier. There's much to like about this album but ultimately I'm left questioning whether it was worth my money for an album were I like only about half the songs
- More beauty from this amazing young woman
     By A338A6YU4JV07G on 2007-03-15
Hayley's third major album, released in the US as Celtic Treasure, follows the format of the earlier ones (Pure and Odyssey) in mixing familiar songs ("Danny Boy," "Scarborough Fair") with less familiar ones, including songs by Hayley herself this time. Her voice continues to be one of extraordinary beauty, and these songs show it off well.
The duet on this album (unlike the one with Andrea Bocelli on Odyssey) is commendable. "Last Rose of Summer," which will be familiar to fans of Celtic Woman's concert at Slane Castle, is a soaring display of two voices that are beautifully matched.
Two tracks ("The Water Is Wide" and "Scarborough Fair") also appeared on Odyssey. Although they are enchanting, this strikes me as unnecessary duplication. It's too early in Hayley's career to be padding albums with reruns. (It's not clear whether these were re-recorded for this album or just copied from the earlier recording, but if they were re-recorded, the results aren't noticeably different from the Odyssey tracks.)
After a lovely vocal, "Shenandoah" ends with a faint snare drum solo. Did some UK record executive mistakenly think this song refers to a military situation?
This album has been eagerly awaited by Hayley's many fans, and it's not likely to disappoint any of them. She continues to be one of the most exciting young singers in the world today.
- Amazing Successor to an Amazing Repertoire
     By A3FQPS42XA0W1T on 2007-03-17
In a musical world devoid of talent, it is reassuring to know that there are still some artists with musical talent left. Hayley is one of these artists. Her tone quality is superb and her diction is amazing as well. In a purely technical nature this CD is overflowing and the beauty of this is breathtaking. This album is an amazing successor to the amazing repertoire that is the Hayley Westenra collection. Her previous CDs were all execelent with each succeeding album being better than the last. Don't get me wrong I still love her previous CDs but this one is far superior in it quality as shows off the work that she has been doing since her last CD Odyssey. This CD has a more Celtic feel but that is fine with me as her voice is well suited to many different generas and this CD provides the evidence that the Celtic genra is also not beyond her grasp. Although her general choice for music has changed her talent is invariable from her previous CDs. Hayley was given more freedom to create this CD with her own unique taste and has coarranged several of the tracks on this CD and in my opinion, they are some of the best tracks on the CD. If you enjoy this CD you may also be interested in the live preformance that she recently had with the Celtic Woman group as it has a few of the songs on this CD and several others which are not featured on this disk, this disk is entitled Celtic Woman: A New Journey: Live at Slane Castle, Ireland. Although I am disappointed that the CD is as short as it is, 13 songs cannot contain the talent of this artist, the selection is quite good. Even if you are not a fan of Celtic Music this CD should appeal to you as Hayley's music even appeals to my mother, who has quite a different musical taste than myself and turned up my CD player to hear it. To my suprise, Hayley also appealed to one of my coworkers who has more of a modern taste in music than my mother does. All in all this CD is welcome addition to my music library and I suggest it to anyone who enjoys an artist who can change genras without loss in her vocal quality.
- A Little Bit of Heaven
     By A2HC7NZLIPLJLF on 2007-03-19
In Celtic Treasure, the young New Zealander Hayley Westenra presents her listeners with an etherial mix of Celtic themed, classical crossover and light pop music. If I had to describe the album in one word it would be "peaceful".
The album begins with Let Me Lie, a song which Hayley had a hand in writing (the jacket also credits Sarah Glass). The vocal is hypnotic, and the melody is simply gorgeous. It ends with Abide with Me, a hymn I used to sing with my chuch choir when I was young. Hayley opens and closes the song acapella, raising the question of whether or not she really needs orchestration at all.
Other moments of note:
Hayley does some of her best vocals of the entire album accompaning the instrumental interlude of Shenandoah. The high notes in the background belie any adjective I can apply to them here....A surprising highlight was the uptempo Summer Fly, featuring excellent violin work by the Canadian violinst (fiddler) Natalie McMasters. Sandwiched betweeen the serene Shenandoah and Whispering Hope, the contrast really stands out. Summer Rain is another very impressive example of Hayley's nascent
songwriting skills.
If a have a quibble with this release, it is that the overall impression it leaves is actually possibly a bit too serene, and some of the songs are quite sad. Summer Fly certainly helps leaven the mix,but even that song has a certain bitterness and sadness too it. The album could use one or two more songs like it. One generally positive review of Celtic Treasure I saw said that you shoudnt play it while operating heavy machinery - and there may be something to that. In fact, the same theme of tranquility overcoming sadness embodies much of her previous work as well. If you are looking to music to completely escape your sorrows, this album may not be for you. If however, you are looking to be transportedto a place where pain and sadness somehow can become transmuted into joy, you may find such solace here.
In any event this is a very small complaint about what is a otherwise a brilliant release. If I had to pick artists for comparison Enya and Sarah Brightman come to mind. In a sense, however, Hayley might be better than they are - at times she seems to be able to combine the best of both into one singer. At the end of the day, if you simply enjoy beautiful music sung perhaps as well as it can be sung, you cant go wrong with this purchase.
- I listened to it three times through
     By A380H0RPMMOG3E on 2007-03-14
THe third time was not a charm. Well, let me say I am a Hayley fan but I simply did not like most all of the songs on this cd. I was severely disappointed in them all and I bought it immediately with high hopes. I felt it was so uninspired compared to her previous works. I just listened to it yet again, to be fair. I seriously doubt I will listen to this cd ever again.
Let Me Lie - boring and predictable..
Scarborough Fair-she does not have near the depth of voice to sing this song.
Shenandoah-Not bad, but after hearing Sissel sing this song recently, this one falls short.
Summer Fly-Sounds like a country song more than anything else. Very odd song to include. Maybe the worst song I have heard her sing.
Whispering Hope- Another song that can cure insomnia.
Danny Boy - one of the original stars from Celtic Woman sang this much better, not a good choice because the comparison is so fresh and very obvious.
Summer Rain-it begins like an Enya song, quite literally, again not a bad song but not good either. Her voice sounds like it is just going through the motions.
The Last Rose of Summer-Like Summer Rain, very tired sound.
One Fine Day- Another song that sounds completely devoid of life. What is going on with this CD?
Sonny-Im running out of ways to say boring. Add this one to the list.
The Water is Wide - Not terrible, not good, pleasant enough.
Melancholy Interlude- Finally a song that showcases some of her talent, a song with some depth and emotion. Sadly, it is a very short song. Am I saying I just bought a CD basically for a 97 second song? Looks like.
Abide With Me - I am at a loss. Why is this song here? To showcase her voice? Why not showcase her voice with some good songs? I am a trendsetter for redundancy am I not?
E Pari Ra - Ok, I've heard enough.
I had to stop and put Dark Waltz on to remember the Hayley when her singing was truly glorious. I love all kinds of music and Hayley has a unique voice and sings many songs at a level without equal. Just listen to most of Odyssey, Pure, or better yet watch her Live From New Zealand DVD. Listening to her sing Across the Universe of Time on that is more enjoyable than the accumulated enjoyment of the entire CD Celtic Treasure. By far. I am not a blind Hayley fan as there seems to be many that are conditioned to adore every thing she sings, no matter if it is good or not. That is sad to me because she is at an age where her creative juices should be peaking. Instead, she sings with Celtic Woman and puts out a tired Celtic Treasure. She does not need people around her patting her on the back, afraid to be honest to her at this point. She needs to be challenged and that is not happening. I am beyond disappointed. I originally gave this two stars and now I feel that was too generous. This is a one star CD. I despise doing it but I have to be honest. Maybe the powers that be will read this and next time put together a cd of music that will be wondrous and magical, the Hayley that I fell in love with. To those who are giving this an inflated 5 star review, you are doing Hayley a disservice. To those who genuinely think this is a 5 star review, I am completely stunned that you would think so.
- This is beautiful music
     By AE31M52VLKOG6 on 2007-03-19
This is an excellent CD from Hayley Westerna. Her voice is so soothing and clear. My favorite is the track "Whispering Hope" This is such an uplifting track. I love Hayley's vocals here. "Let Me Lie" and "Abide With Me" are two tracks with a peaceful spiritual sound. I love the flute and piano playing on these songs. "Danny Boy" is another highlight here. This is a classic Irish song about the passing of a dear friend. It is a sad but very beautiful track. "Sonny" is another excellent track about a hardworking lonely man who is dedicated to his farm and home. "The Water is Wide" is a very soothing track. The piano playing sounds so good on this song. Hayley picks up the pace with the track "Summer Fly" The violin playing gives this track a nice lively tempo. "Shenandoah" is a track about the beauty of the lovely river. This song is very moving. "Scarborough Fair" and "Summer Rain" are very romantic sounding tracks. This is a very enjoyable CD filled with lovely music.
- Hayley is amazing
     By A2DEWHZFHLTZF3 on 2007-04-05
Hayley strikes again with her new album Celtic Treasure. This album starts off wonderfully with the beautiful, haunting song 'Let Me Lie.' Hayley shows that she is very versatile by including the country-flavoured 'Summer Fly' and the soft, emotional 'Sonny.' There are so many beautiful tracks on this album. Hayley shows that she is an excellent songwriter with the undeniably gorgeous 'Summer Rain.' If you have a chance to see Hayley on tour with Celtic Woman in May, grab the chance! She is amazing!! I highly recommend this album as well as all her other albums. Pure Odyssey Treasure
- One of the best
     By A1Y01V6GQHIYJ1 on 2007-04-07
I am amazed at this voice; so clear, so angelic, so soothing, so beautiful. She does it well and yet she is so young. A CD everyone should own that loves music.
- One Step Forward, Two Steps Back
     By A5ICL9C9OT8MB on 2007-05-01
I'm listening to Hayley's latest CD "Celtic Treasure" as I'm writing this review. I also own 3 of her previous CDs, ripped into my PC, for use as references - "Hayley Westenra", "Pure", and "Odyssey".
I am disappointed with "Celtic Treasure". Almost every song is sung in the manner of "The Water Is Wide", which becomes a strain during lengthy listening sessions. Does it surprise when "Summer Fly" comes as a refreshing break? I love Hayley's voice, but to have her sing in this range, pitch, and tone for extended periods over almost every song makes for an unsatisfying listening experience. Don't believe me? Pop in "Pure" and have a listen - what a difference!
With "Pure" you get a combination of "Never Say Goodbye--River Of Dreams--Benedictus--Hine E Hine--Across The Universe Of Time--Dark Waltz--In Trutina--Wuthering Heights", all sung differently.
And where is that beautifully rich, alto voice that I was expecting from "May It Be" on the "Odyssey" CD? One previous reviewer specially noted the word "then" from "One Fine Day" - so we get to hear Hayley in her lovely alto voice in one word out of the entire CD? In my previous review of Hayley's "Live From New Zealand" DVD, I wrote that her voice has matured, "...gaining a richness and depth in the lower registers, while maintaining that clarity in the upper octaves." Her voice definitely has alot of clarity in "Celtic Treasure", but is lacking in any richness and depth. Of course, it is not her voice that is problematic, it is some of the song selections and arrangements. "Summer Rain" is an example of a bad song selection. Does Hayley really need to be labelled as ripping off Enya's "Orinoco Flow"? Sheesh!
Hayley is older, but "Celtic Treasure" does not demonstrate an artist that is more mature. Thus, one step forward, two steps back. "Pure" and "Odyssey" are more mature releases - even the song "Walking In The Air" from Hayley's first CD (released when she was age 13) is sung more maturely and richly then most of the songs in "Celtic Treasure". I guess Hayley is still young at 20 years old, so the lack of consistency should be expected.
And what is with the various versions of Hayley's releases? This is ridiculous! I'm not sure if Hayley has a say in this, but if her management team wants her to become an International Superstar, her releases should only have one definitive version. To be honest, the various versions of the same release really does leave a bad taste in any buying consumer's mouth. It does mine, because I pay good money for the CDs. For example, I paid over $40 Canadian for the "UK Odyssey" release, only to find out shortly after that there is a second "UK Odyssey" release?! Then, I found out that I had to buy the "Japan Odyssey" to get "The Mummer's Dance"?! With "Celtic Treasure", I had to settle for the plain version - without "The Mummer's Dance" - because Walmart Canada does not carry the Walmart version. So after spending $60 and 2 CDs later, I still don't have "The Mummer's Dance"!
I can only draw 3 conclusions: first, the whole thing is a money grab; secondly, her management team thinks she is far too sophisticated for just one version of any particular CD release (and I don't mean it in a good way because a clown's makeup can be pretty sophisticated as well, but perhaps "vain" may be a better word); lastly, the people managing her just aren't music fans but are innately business people, which is really sad - any fan of any particular artist would naturally want all of the music of that artist he/she loves. Unfortunately, many of us aren't rich people, we have families to feed, or we live with budgets - we cannot afford to pay another full price for the other version of a CD so that we could have one or two more songs. So, does a person need to resort to downloading illegal copies to get all of Hayley's songs?! Is this the kind of potential fanbase Hayley and her management team wants to build?! Is anyone listening?!
There are a few positives about "Celtic Treasure": it is a new release, so we get to hear Hayley sing some new songs; we also get to see Hayley in some new photos; and ironically, Puccini's "One Fine Day" is the jewel of "Celtic Treasure" - this aria is gorgeous, and to hear it sung in English is a surprising delight.
- Hayley With Heavenly Voice
     By A2UMRUGK1YYCA5 on 2007-03-17
I have yet to purchase the album "Celtic Treasure". Though know from her previous works that she has the most beautiful and soothing voices I have ever heard. She still has room to grow at such a very young age and is already internationally recognized around the world. She is definitely one of the best classical music singers out there. I highly recommend her and can't wait to hear her new album. Also if you get a chance, check her out in her personal concert live from New Zealand and also the collaboration with Celtic Woman. Both are wonderful concerts to watch. Enjoy!
- Excellent Voice- Terrible Music Company
     By A105144MP7JLM9 on 2007-04-02
I find it extremely annoying that the music companies can't just launch a single CD around the world. Hayley's new CD in the UK, Treasure, is excellent, albeit that there are a few tracks that could rather be omitted and replaced with others. However, Decca's combination of tracks on the UK version and on the US version makes no sense at all. This actually started with the previous CD, Odyssey. In the UK Odyssey was launched twice!! Obviously repeating some (most) of the tracks with a few new ones, including Scarborough Fair.
Now on Treasure, they left out "The Last Rose of Summer" from UK version. In South Africa we have not actually seen it yet. I pre-ordered the UK version. The pure voice, the passion and feeling that Hayley puts into every track is magnificent. I have to say, however, that the "religious" tracks don't really fit. "Abide with me" and even "Whispering Hope" could have been omitted.
Having said this, there is nothing wrong with Hayley's renditions of these songs and her lovely pure voice really sparkles. Although the UK release is probably a better choice, but then it would be a good idea to get "A new journey" of Celtic Woman, where Hayley sings "Scarborough Fair" and sings a duet with Meav on "The last Rose of Summer".
- A real treasure
     By A1P5H4CQ1IDWEH on 2007-04-03
I just loved this CD . My, what a beautiful voice this young woman has.
- Disappointing
     By A2E4R26TVIBVV9 on 2007-07-13
We first encountered Westenra as a member of the Celtic Woman group. She was great -- as were all the girls. Based on that, I selected this CD after reading the reviews on Amazon. This one seemed to get the best overall reviews.
This CD is pretty uninspired and Westenra's voice sounds just average on several of the tracks. There are a few impressive spots but generally I thought the CD was less than expected.
- "Pure"-ly by accident
     By A3RTIQVULFXZIR on 2007-10-16
I came across Hayley Westenra purely by accident, while flipping through classical CDs and suddenly seeing a picture of a beautiful young woman with the last name of one of Dracula's victims. My first thought was, "A pop CD in the wrong section,"; my second was, "I wonder if this is another one who when exiting her limo reveals her lack of underwear." But after reading the notes I decided to take a chance and buy "Odyssey," and the next day purchased "Pure" and "Celtic Treasure." So here's a quick overall review, from a classical aficionado, of this beautiful girl who commits herself so sincerely to her art:
Her voice is certainly heavenly. Whatever the song, and however schmaltzy the arrangement, her voice takes over and overwhelms any negatives. It's also apparent that there's nothing phony about her. When you're listening to her sing, you do NOT envision a wailing pop tart with a microphone a quarter inch from her mouth. You feel as if you're in the presence of an ingenuous young lady who loves what she's doing, respects the music she's performing, and is committed to applying her talent well. Her takes on these mostly well-known songs are quite refreshing. You can't help but like this girl.
I do feel that in one area she is not being well served. Her voice and talent and presence are such that she does not need the overstated accompaniment of many of the arrangements. Mediocrities need that kind of backup as camouflage, but Hayley Westenra definitely isn't in that category. In some of her songs, the accompaniment is properly understated, but in others it's gaudy and intrusive, suitable for Las Vegas crooners, not real artists. She doesn't need the thousand slithering strings or the bloated orchestrations. You often find yourself wishing that the instrumentalists would just SHUT UP and let the lady sing. (Remember that the best accompanists of the great classical singers are noted for their ability to support the artist while remaining unobtrusive.)
So I'm delighted to have discovered Hayley Westenra, and look forward to whatever she records next.
- 'PURE' HAYLEY
     By A3629A3QF2F9P6 on 2007-03-19
I believe this is Hayley at her very best. She is singing what she wants to sing, the way she wanted to sing it. To me, the results are just amazing. Let's all hope that a few million more people here in the USA will feel the same and she can enjoy the popularity that she richly deserves. THANK YOU HAYLEY
- Haley Westenra "Celtic Treasure"
     By ATIY9Z9VK8M9H on 2007-03-26
To date it's her best album yet.I just can not belive her beautiful voice.The choice of songs are so melodic,and she is so pitch perfect.She sings with tender emotion for being so young.she has great a future ahead of her,she is blessed.my personal favorite perfomer.
- Truly a Treasure
     By A6AZX88X82HV5 on 2007-04-03
I too agree with those who bought and/or waiting for the UK version of Treasure. I am also a bit aggravated with the way Decca wants to market the CD by omiting cuts and the like, but I understand the marking thing, and calling the America version 'Celtic Treasure' is obvious
Since I have the UK version of Odyssey and Celtic Woman's New Journey project I already have three cuts that are on 'Celtic Treasure.' I don't count 'Scarborough Fair' because their are certain differences (read the liner notes if you have them). So you have those CD's like I do it is worth the money to get the UK version.
The highlight of the UK version is 'Le Notte Del Silezio' (one of the songs she had in hand in writing) which I really enjoyed from the first listen. You also get another Maori song (E Pari Ra). Both songs truly moved me.
I did not expect a Mandolin and/or Flamenco Guitar in her version of 'Santa Lucia,' but I am glad she did. It sounds great.
Along with Silezio I also enjoyed 'Summer Rain' which is another song that Hayley had a hand in writing.
The UK version of Treasure is truly worth the money. If you must get Celtic Treasure, get it through Wal-Mart/Sams Club because that one has a cover of 'The Mummers Dance.'
- Listenable Hayley
     By A29PMU0PITHDP0 on 2007-04-06
Wonderful and relaxing and so very listenable in the car or at home by the fire,Hayley is a real Celtic Treasure
- An Interesting Release
     By A20Y6ZN07DUNWQ on 2007-04-24
This is a very interesting release . Despite the title, Haley manages to take this in a few different directions while managing to present a cohesive whole . The 2 songs that she co-authored are quite good and don't stray too far from the rest of the selections . The non-US version of this CD is called simply Treasure and that title might be more appropriate . If you are familiar with Haley, do not hesitate, buy this .
- Hayley Westenra
     By A35ZWUXC5X4LBX on 2007-05-07
Excellent album. Just what you expect- lovely vocals and well presented. Definely would recommend.
- Hayley's voice is ANGELIC !!!!!
     By A38O9BPVCNMKCI on 2007-05-07
One of the best female vocalists I have ever heard !!!!
- A Musical Treasure
     By A1XITZR1PJRYHA on 2007-05-07
This beautiful young lady who haas just recently joined The Irish group of Singers ,"Celtic Woman", has excelled herself with a most impressive performance relating to her Celtic background and her magnificent voice,she wil remain on my shopping list as long as she continues performing."BRAVO"
- Celtic Treasure
     By AS8NR9UKLH2U9 on 2008-02-29
After hearing Hayley on Celtic Treasure and also her earlier recordings I was really surprised hearing her voice. I have been singing since I was about three years old and am now in my late seventy's and haven't heard a voice like hers for a good number of years. I have sung in choirs, choruses and even in Operettas and am still singing in a choir. When I heard her sing on Celtic Women I knew I had to hear more of her music. I was struck by the softness, clarity, and mellow tones which rang in my ears. I have also listened to her recording of Pure, Odyssey and Live From New Zealand and especially enjoy the Spiritual portion on each of them. Hayleys music has come at a good time. We need to hear more music like hers and I hope and pray she will continue to give us her music for a long time to come. I listen to her music daily which is soothing and relaxing. Hayley certainly has had a very good family upbringing and I pray she will continue to be the person she already has become.
- Celtic Treasure Indeed!
     By A3LHQZXCE4UDCQ on 2007-05-02
On Hayley Westenra's third release, she marks a return to her Celtic roots. She covers a lot of Celtic and Celtic-flavored tunes, including "Danny Boy," "Shenandoah," and "Scarborough Fair."
After nearly being lulled to sleep on the first two tracks, I was awakened by her third track, "Summer Fly," which features a lively, toe-tapping rhythm. It was by far my favorite track on the CD.
Another highlight was "Whispering Hope," a beautiful cover of an old hymn, where she sings harmony and counter-melodies on the chorus.
"Summer Rain," one of the tracks that Hayley cowrote, is reminiscent of Enya's "Orinco Flow," but still very enjoyable. The most beautiful track on this CD is her duet of "The Last Rose of Summer" with Meav, also heard on "Celtic Woman, A New Journey." Their harmonization on the end of the piece nearly sent shivers up my spine. The CD closes with a beautiful, A Cappela rendering of another old hymn, "Abide With Me."
Hayley's voice -- while not as full as other singers -- is still very pleasant, clear, pure and bell-like. Great CD to unwind at the end of the day.
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