Timbaland Presents Shock Value Reviews

• A worthwhile purchase

  
  By A1NP9X56O2MNLV on 2007-04-04
  I'm torn, in listening to Timbaland's new album Shock Value, between being genuinely impressed, and wondering if it was all meant to sound very similar. Part of what irks me so much about Timbaland's productions is that his stuff is so accessible and recognizable, there almost isn't room for the artist to be themself. (Nelly Furtado's "Say It Right", for example) On this album, the beats rule. They are Timbaland's voice, his palette, his paintbrush, his paint...the glue that holds the entire operation together. It is his greatest strength, and I also feel his biggest weakness. Beats are great, but I feel they can only get you so far.
  
  Timbo has about 5 radio hits nestled in this album, and some collaborations that will prove interesting in the future. He's discovered a fantastic singer, Keri Hilson, and stuck her in the album three times, once with Pussycat Doll Nicole Scherzinger, once with D.O.E. and once with Sebastian. Each song showcases her considerable talent, and I am eagerly anticipating her solo album (as long as it isn't positively littered with Timbaland's beats). "Give It To Me", obviously, is already a hit since it features the vocals of two artists he can claim credit for being "HRN" (hot right now). "Release" is a fast-paced song that just makes you want to move. "Bounce" is a dirty silly song that is almost guaranteed to get some attention, but not because it has any real merit for anything. "Scream", the collaboration between Keri Hilson, Nicole Scherzinger, and himself. "Fantasy" brings up the tail, having a ton of intensity and a cutesy r&b chanteuse named Money.
  
  There are some collaborations here that are questionable, like Fall Out Boy, the Hives, or She Wants Revenge. But what seems awkward at first seems almost second nature by the end of the disc. I am glad that Timbo took these excursions into different genres, because it shows a true open mind and a willingness to try new things. I feel that these collaborations could open up interesting avenues, musically speaking, to styles we haven't properly considered in the past. Now we have a reference. "What would happen if we put some hot r&b/hip-hop beats to this pop-punk band? Ah! "One And Only" by Timbaland and Fall Out Boy is what would happen." It's not a bad claim.
  
  Again, a large part of me feels like I'm listening to the same song over and over with different singers, so I think Timbaland needs to spend a little less time with the drum machine and more time trying to make the song stand well if those signature beats are taken away. That will show his true lasting power as his own solo artist, I believe.
  
  

• 2-1/2 stars -- It's shocking how bad this album is

  
  By A200C7YQJ45LRR on 2007-09-15
  First things first: people don't seem to understand that Shock Value really isn't a solo album from Timbaland; it's a compilation album with songs produced by him that sometimes features him; that's why the album is called Timbaland PRESENTS Shock Value, not simply "Timbaland - Shock Value". Anyway, the last time we heard from Tim "by himself" was almost ten years ago when he produced the compilation Tim's Bio: Life From Da Bassment. Tim used his stellar beats as backdrops while the verses were spit by the most popular artists at the time, like Nas, Missy Elliott, Jay-Z and a few others. Now that Tim has seen a resurgence with his new beats for artists like Justin Timberlake and Nelly Furtado, he tried to do another compilation album. But if you think Shock Value is just as good as Tim's Bio, think again.
  
  To say that the only good songs are the singles wouldn't be telling the half of it. Well, actually, aside from "Give It to Me" and "The Way I Are", OneRepublic's "Apologize" is good, as is "Fantasy" (sung by some woman called Money). And "Scream" (with Keri Hilson and Nicole Scherzinger) is tolerable. But everything goes downhill from there.
  
  What's surprising is that a lot of the R&B joints are the most disappointing. "Release" is a filler track that supposedly features Justin Timberlake (because I don't remember hearing him in the song), and "Miscommunication" (with Keri Hilson again and Tim's brother Sebastian) is ridiculous. But the rap songs are even worse, especially "Bounce" with Missy and Dr. Dre; and the song features JT's chorus: "Bounce like your a** got the hiccups" (who the F wrote that?). And "Bombay" sounds like a bad remake of "Indian Flute", complete with Indian vocals (which Tim himself probably doesn't even understand).
  
  Speaking of that, Magoo shows up for the ridiculous "Boardmeeting", and as evidenced from Under Construction Part II (don't ask me why I listened to that), he sounds better than Tim does, but the song still falters because, well, remember how on "Cop That Ish" he completely jacked "I Know You Got Soul"? Well, here he rips off "The Breaks". And while I'm on the subject of wack emcees somewhat shining, Tony Yayo actually outshines Tim AND 50 Cent on "Come and Get Me" (but the song still sucks).
  
  Tim also tries for some rock collaborations on here. "Time" (with She Wants Revenge) is okay, but the Fall Out Boy-assisted "One and Only" is an extremely bumpy ride, and "Throw It on Me" (with the Hives, of all people) never should have happened. Basically, if you want to hear a really good compilation of Timbaland and company, then just throw Tim's Bio back in for a trip down memory lane because I can't find a more accurate title for THIS album than Shock Value.
  
  Anthony Rupert
  
  

• It Won't Shock You But It Will Occasionally Make You Dance

  
  By A3SV72ZAHH2IDH on 2007-04-03
  Superproducer Timbaland had a busy 2006, he produced the the majority of songs of the very successful albums for both JustinTimberlake and Nelly Furtado and helped Omarion, Diddy and Danity Kane aswell. Timbaland was probably the most successful and in-demand producer of the whole 2006 and with such archivement it was a natural next step to release an own album, even if this isn't his first solo album it's gotten much more interest then his 1998 album "Tim's Bio" or any of the one's he recorded with Magoo. Timbaland got his own special sound, loads of proteges and songwriters (Danja and Keri Hilson) and plenty of friends willing to contribute with a song or two, what could possibly go wrong at this point?. "Shock Value" is an album with 17 dffrent songs, all but two produced or co- produced by Tim. The point with it according to himself is to "Take over popular radio" and apart from other projects it is a pretty wild mix of genres. Some R&B and Pop, a few Hip Hop songs but the most interesting parts are those Rock songs thrown into the mix, a brand new side of Timbaland we haven't heard before. All of the songs feauture guests, some of them even 2 or 3 guests which limits Timbaland's own time in the spotlight. The structure really isn't that diffrent from Diddy's "Press Play" with the only diffrence that Tim actually produces his own music, perhaps we could draw some paralells to Chad and Pharell's "Neptunes Present the Clones" which actually did have all kinds of genres involved, (Rock included) and a smorgasbord of guest-artists. But Neptunes created a compilation album not a solo album which makes me wonder what Timbaland's point with his own album was, when his presence is very limited and hardly even noticed on some songs, Maybe he just wanted to expriment with his sound or he wanted to find out how many friends that were available when called. Alright, Let's take a look at the songs and see if there is any shocking moments on this album or not.
  
  It all starts with a intro called "Oh Timbaland" where we find Timbaland rapping and mostly bragging of his beats and fame and money. Next song is the albums first single "Give It To Me" that feature friends Nelly Furtado and Justin Timberlake. The beats on this one are great and makes the song very interesting to listen to, but frankly I don't know what they are on about. Justin is clearly dissing Prince and Timba is dissing Scott Stoch with the "I'm a real producer and you just the piano man", this sillyness eventually triggered Stoch to record an own song dissing Timbaland. "Release" another song with Timberlake on sounds like "Sexy Back Back 2". "The Way I Are" the first of 3 songs feauturing the lovely and extremly talented singer/songwriter Keri Hilson who works closely to Tim and already sang on the Timbaland produced song "After Love" on Diddy's album. This is another club song with beats that resemble Salt N Pepa's "Push It", it's one of the better song nonetheless.
  
  Hip Hopish "Bounce" is as silly as it can be, Missy Elliott, Dr Dre and Justin with equally over the top or just corny nonsense lyrics. Once again Timbaland is barely noticed. 50 Cent and Tony Yayo appear on the second Hip Hop song "Come and Get Me" and sounds like it could have been produced by anyone. More bragging on Hip Hop song "Kill Yourself" which feauture Tim's brother Sebastian and Attitude. "Boardmeeting" with old partner Magoo is a song where Timbaland got a bigger presence and it isn't that bad but if all songs would be with just him and Magoo I doubt it would be considered interesting enough. It get's more interesting on "Fantasty" with female singer Fantasy, produded by Walter Milsap. It's actually the only song where only one singer is featured, hence not even Timbaland!. Keri Hilson and Nicole Scherzinger provides one of the definite highlights with "Scream", and on old manner Timbaland grunts in the backround. This song sounds like something that could be a hit and that most of the audience would apreciate. Keri Hilson and Sebastian are back on "Miscommunication" a really good song, and once again Keri is wonderful when she sings about a girl wanting to get out of a bad relationship that is "killing her".
  
  The last few songs are actually the most exprimental, all squeezed into the last part of this album. Indian-esque "Bombay" ironically resemble Scott Storch's most common soucres of inspiration. The song got some Indian girl singing the hook, however we've heard it before. Swedish garage band The Hives appear on the annoying "Throw It On Me" which is repetitive with a basic beat. "Time" with alternative band She Wants Revenge is a grower and Tim sings plenty on it aswell. "One and Only" with Fall Out Boy is another odd number of rock productions, it does sound like Timbaland's work but quite honestly his fantastic productions aren't as effective for rock music nor rock singers. "I Apologize" a very sweet song that was actually written and recorded by the singer of One Republic but Timbaland remixed it. Closer is called "2 Man Show" and it feautures Elton John on piano, but no singing by him, only by a choir. What a waste.
  
  Overall, we already knew that Timbaland is an extra-ordinary producer, and actually my personal favorite aswell. He's great when he jump in as a side-kick on his songs and grunts a few lines and then hands it over to the singer again. He isn't much of a singer though, nor a rapper but afterall this was his solo album and you could expect that he would have the leadrole, but perhaps he knows his own limits and often stay in the backround jumping in from time to time like usual or just being quiet and letting his music speak, but even when he is in the spotlight, particularry on the Hip Hop songs he doesn't have much to say. Surrounded by a trillion of guest-artists it's actually hard to distinguish wether this is a solo album or a compilation album and sometimes there are just too many guest (2-3 in the same song) and it hurts the album in the end. "Shock Value" got it's moments, especially the one's with R&B and Pop where Timbaland's unique sound is most effective. The rock songs that were suppost to be the one's to shock are really not among the highlights and some of them are not good at all. It surely got something for everyone but it's unlikely thats someone will like everything. Bottom line; "Shock Value" is alright, but it feels a bit like a wasted opportunity to make a groundbreaking album when too many artists are bad and too many songs sound tired without inspiration. However, as an exprimental album from a fantastic producer it's cool and there are enough funky party songs to make you dance for long.
  
  
  

• It's Alright But Nothing Shocking

  
  By A2ORMBJU6V5UV5 on 2007-04-23
  This CD has a few so-so songs on it. nothing AMAZING. The beats are a little lack luster and energy less. He is hardly on the CD as it is. Some songs sound like remakes too. The beat of The Way I Are sounds like Justin Timberlake's My Love and the best of Give It To Me sounds like Wind It Up by Gwen Stefani. Release sounds like Justin Timberlake's Lovestoned. Apologize sounds like Nelly Furtado's Say It Right. It even has the same "ohhhh eehhh" in the background. Songs that should have been amazing such as Bombay and scream which sample some of the best styles (Indian and funk respectively), are not as fun or dance worthy as they should have been. The best moments on the CD are the ones that you would expect to be the worst such as his song with the hives called Throw It On Me. I don't think this is a horrible CD but for someone famous for his hooks and beats she sure didn't save any good ones for himself. Maybe next time.
  
  The key tracks are (if you have to just have a this album): Apologize, Scream, The Way I Are, and Throw It On Me.
  
  

• Just enough shocks to get you dancing!!

  
  By A24N1BAS3CU27H on 2007-04-04
  Produce of the moment Timbaland releases his latest CD and the guest listing reads like a random sampling of his Hollywood rolodex; Justin Timberlake, Nelly Furtado, Fall out boy, Elton John, 50 Cent, Missy Elliott, and The Hives, all make a showing.
  
  To be honest, there's nothing ground breaking, or earth moving about the music, and a couple of songs even seem like clones of Justin Timberlake's "Sexyback" ("Way I are" and "Release").
  
  What we get is a fun, dance album on most cuts (lead off single "Give it to me" with Justin & Nelly, "Board meeting" which samples "The breaks" by Kurtis Blow, "Fantasy", the haunting "Kill yourself" about his beef with fellow super producer Scott Storch, "Scream", featuring Pussycat Doll Nicole Scherzinger), and Timbaland even veering into rock on some songs ("Throw it on me" with The Hives, "Time" with She wants revenge, and the punk rock "One and only" with Fall out boy"), and a Bollywood styled Bangra number, "Bombay". An attempt at a little something for everybody.
  
  My favourites are the two last piano laced cuts, the lovely ballad "Apologise" with One Republic on vocals, and the brooding Kirk Franklin-like "2 man show" with Sir Elton providing some exciting work on the keyboard, and a choir giving backing to Timbaland's speaking/rapping, which he does on most of the CD.
  
  Like I said, not ground breaking, but a good fun record to dance to.
  
  
  
• Timbo went a little too far with the 'shock value' concept.
  By A33JPAKU5HZTNW on 2007-04-05
  One of my favorite producers at the moment is Timbaland. While I was never a huge fan of his older production work(the Timbaland sound that dominated the hip-hop airwaves at the turn of the century oversaturated the market), he's come back recently with some of the most innovative work of his career. Since he virtually revived Nelly Furtado's fading star with her Loose album last year, Timbo has become the man of the hour; a year later, and his momentum is only increasing. Shock Value can be seen as the third in the line of 'new' Timbaland releases; first was Nelly's Loose, then Justin Timberlake's FutureSex LoveSounds, and finally, Timbo's own solo project I'm reviewing now.
  
  All three of those idenities are found on the album's first single, and in my opinion, the definitive track of the album. Give It To Me is one of the hottest pop-tracks I've heard in a long time; a sexy first verse delivered by Furtado, who also provides the saltry chorus, a scorching(or perhaps, Storching) Timbaland-laced Scott Storch diss on the second verse, and an equally entrancing Prince diss on the third verse delivered by none other than Justin Timberlake. The production on the track represents everything that is perfect about Timbo, and the diversity in artists presents why Shock Value should've been a lot more phenomenal than it actually is.
  
  The rest of this album isn't as brilliant as Give It To Me. While there are some great experimental tracks(Bombay), some sweet pop-numbers(Release, Give It To Me, Way I Are), and even a couple great hip-hop tracks(Kill Yourself, Come & Get Me, Bounce), the rest of this album is very uneven, and flawed. It's not that Timbaland's Shock Value is average; it's just straddling the lines between bland formula and genuine genius far too much to really avoid the awkwardness found within most of this album.
  
  While tracks like One & Only without Fall Out Boy sound obscene in concept, it's actually very nice in execution. The same can't be said about tracks with Elton John, The Hives, and She Wants Revenge. Most of the tracks with female R&B singers don't work nearly as well as his work with Nelly Furtado, either. While Keri Hilson is a very talented singer, she just doesn't fit Timbo's style of production. I understand Timbo found her as an artist, but the two don't really gel very well together as other teacher and protege unions do. Tracks like Boardmeeting with Magoo also make you glad this wasn't entirely a Timbaland & Magoo project.
  
  Timbo's Shock Value is definitely worth buying if you're a fan of hip-hop, pop, or Timbaland in general. However, most of this album's appeal lies in the fact that it is a potential train-wreck waiting to happen. The few amazing tracks on this album, and the unintentional interest(or, perhaps if one pays more mind to the title of this album, it IS intentional) are more than enough to warrant your cash. Just don't expect anything like you've heard before.
  
  
• Timbaland Presents Shock Value
  By A2L3WEVFOCA7OY on 2007-04-10
  Timbaland's (A.K.A. Timothy Z. Mosley) sophomore solo album is "Timbaland Presents Shock Value" (2007) a seventeen track release which features guest appearances from Nelly Furtado, Justin Timberlake, Kerri Hilson, D.O.E., Dr. Dre, Missy Elliot, 50 Cent, Tony Yayo, Sebastian, Attidude, Magoo, Money, Nicole Scherzinger, Amar, Jim Beanz, The Hives, She Wants Revenge, Fall Out Boy, OneRepublic & Elton John. Timbaland has impressed me over the years, as a producer he is a creative and talented artist. That said Timbaland the Rapper is another deal altogether. Another reviewer mentioned the way Timbaland opens the album up with some gloating lyrics on "Oh Timbalad" - I don't think their's anything wrong with an artist having pride in their work, it doesnt always result in the most memorable music though. The first time I heard Timbaland's lead single "Give It To Me" was when I saw him doing a live performance of it with Nelly Furtado on TV. Naturally this is commercially friendly pop music, what most people will miss out is some of Timbaland's verses are disses aimed at rival producer Scott Scorch who he has beef with. I don't care for the song, though I see how it could have mainstream appeal, Nelly Furtado's lyrics are positive. "The Way I Are" & "Bounce" fall under sub par material for me. So we go from Nelly Furtado singing "We Ain't Here to Hurt Nobody" lyrics to Timbaland hooking up with 50 Cent & Tony Yayo on "Come & Get Me" with Timbland dropping lyrics like "I'm rich I could pay to have you six feet deep". Timbaland comes off as hypocritical and shallow in his lyrics to this reviewer. The best part of "Kill Yourself" is the production the rest of the track is garbage - more fronting by Timbaland. Magoo, Timbaland's former partner in rhyme drops in for the forgettable "Board Room". Timbaland has next to no rhyme presence on tracks like "Scream" (Keri Hilson, Nicole Scherzinger) "Fantasy" (Money), & "Miscommunication" (Keri Hilson & Sebastian) instead letting his beats and other artist's do the work. Personally they all fall under skip material, don't care much for this type fo music. "Bombay" features Amar & Jim Beanz is clearly oriented towards an asian audience. "Throw It On Me" is the album's second single, a blemish of a collaboration between Timbaland & The Hives. More below average collaborations with bands follow as Timbaland hooks up with Fall Out Boy & She Wants Revenge. Most people reading this review will probably figure out that I generally don't care for this album. The one highlight of this release for me though is OneRepublic's "Apologize" -an outstanding track which was written by Timbaland and the Colorado band's lead singer Ryan Tedder. The album's closing track has Elton John providing a memorable performance, unfortunately Timbaland takes the track no where lyrically. I will always give Timbaland the producer his dues, Timbaland the MC is not someone I want to hear from (ever again!). I think people who enjoy pop music, shows like American Idol and Top 40 music will enjoy "Timbaland Presents Shock Value". 2.5.
  
  
• A Confusingly Addictive Journey
  By A37GWH7ZTTVVMY on 2007-04-03
  Chances are that if you've listened to any form of American mainstream music within the past few years, you either know of Timbaland or have heard his sound. Producer to the stars, Timbaland has been the defining sound in the music industry for just about a decade, creating unique sounds for artists such as Aaliyah, Justin Timberlake, and Missy Elliott, as well as a host of others.
  
  Shock Value presents Timbaland with another chance to get his voice out there. Even during multiple attempts at a successful album, Tim took to shadowing on tracks that he'd produced... and, now that the songs he's making are hits (since when haven't they been?), Mr. Mosley's giving us a chance to see his personality up close.
  
  The CD pretty much has an original sound, but if one listens closely enough, he or she should be able to notice similarities between a few of the tracks on this compilation and what's been heard on Justin Timberlake's FutureSex / LoveSounds. The beatbox in "Apologize" evokes memories of "My Love", the 'yeah' heard in "The Way I Are" may remind you of "SexyBack", and "Time" just screams of the "I Think She Knows" interlude. Other than these three, you probably shouldn't be concerned that Tim's losing it or biting off of himself (even though he may perhaps be, to a certain fraction of a degree: it's nothing important).
  
  The tracks sound so different from each other that you may be convinced that they're not all from the same CD, or from the same time period. Of course, that's provided the versatility of Tim and his collaborators. The artists range from Elton John to Dr. Dre; and, from The Hives to 50 Cent, you'll probably be captivated by some of the songs here. Some of the tracks may be able to especially attract your attention. From "Bounce" one may get a vibe reminiscent of Ginuwine's "Pony". The beat behind "Come & Get Me" sounds very familiar to something the good doctor might have come up with himself. (But, those, by far, aren't the best tracks.) And, speaking of the music, Tim seems to be deconstructing some of his beats after all the words have been said; and, it's an interesting insight into how it's all layered together. I'm sure there's a lot more to be analyzed, so I'll leave this one argument.
  
  Tim himself pretty much sings and raps about the same things: one, his beef with producer Scott Storch; two, 'taking it upstairs', or making it 'bounce'; and, three, about music. But, if you've listened to Diddy's release, Press Play, then it's likely you'll know the feeling that the show's beginning when Tim steps to the side. No discredit to Mr. Mosley, but the beats he puts out are just there for others to sing (or rap) over. Matter of fact, they seem to have been produced with this little thought in mind. And, it works. Believe you me, no other production team (he along with Danjahands) this side of New Jersey has the power to gather the artists and make the beats to make a collection like this work.
  
  Though, I can't help but feel Tim didn't use his connections to his greatest advantage. Justin Timberlake sounds oh so unbecoming, and Sir Elton John fails to utter a single note. But, lots of Keri Hilson and appearances by Attitude and Sebastian pretty much cover for some of the mistakes. Timothy "Timbaland" Mosley and Nate "Danjahandz" Hills (remember that last one) did an excellent job on production, and, the final result is stunning, though not death-defying. I imagine that Timbaland will attempt another compilation, based on the success of this one. And, hopefully, he'll come harder, because I'm upset. I feel disappointed at the edit, although minor, that was made to the version of "One & Only" that was originally heard before the CD's release. I am vexed as to why "Fantasy" made the final cut, even though Tim really didn't have anything to do with it. And, I'm perturbed because the bonus tracks would have made this CD better.
  
  My final verdict: the topics are truly all over the place... from sex to killing to music and back to sex. It's pretty much what you'd expect to hear in popular music nowadays. But, don't let the descriptions fool you. It's actually a pretty good CD worth listening to over and over.
  
  
• Open Your Mind
  By on 2007-04-06
  Get this cd if you like Timbaland's production style, catchy beats, and very danceable songs. I think the people slamming this album prefer the Hip Hop style Timbaland used to do back in the day with Ginuwine, Missy Elliot and Aliyah. I myself have always liked Timbaland tracks since Clock Strikes and Luv 2 Luv U. He's just evolved now into different genres. The last couple songs on this cd show his range and diversity. Definitely check out "Time", "One and Only", and "Apologize". "Time" sounds like an 80's track by New Order. "Apologize" I think is a remix of a One Republic track with a signature Timbaland bubbly beat added.
  
  
• Great Album...Thats All There Is To It
  By A19S8GNSVP8ETJ on 2007-04-17
  Off The Bat Top Tracks:
  4. The Way I Are - Amazin Sound Great Production
  11. Miscommunication - Danja Does His Thing For This One
  12. Bombay - Change Up In The Music Style
  14. Time - She Wants Revenge Props Great Song
  15. One & Only - Fall Out Boy Adds Their Edge
  16. Apologize - One Republic Defined The Flavor
  17. 2 Man Show - Its Elton On The Piano Great Blend Of Composition
  
  ^^These Are The Tracks That I Can Listen To Over And Over Again
  
  10. Notable Mention: Scream - w/ Keri Hilson and Nicole Scherzinger
  ^^ Keri Hilson someone to look out for and ofcoarse Nicole Scherzinger is always amazing when she graces the tracks and videos.
  
  Basically my favorite songs from the album are mostly the last ones(saving best for last).
  
  Very nice production from the timbaland & danja group & their associates.
  The only track i wasnt really feeling was 6. Come & Get Me, the rest that i did not menton where all great production wise and good vocally.
  
  Timbaland deserves a lot of props for his continual excellence in bringing quality to the music industry.
  
  
• Shocked
  By A1ZNZ6BQQV3VER on 2007-04-17
  I am shocked. I would have at least thought that the beats on Shock Value were going to be good (to make up for the fact that Timbaland can't rap to save his life). Even Timbaland talks about how much money he makes for beats in his "hit track" with Nelly Furtado and JT. It's too bad that he sold all his hot beats to other artists and didn't keep any for himself. One thing that he isn't is better than Scott Storch. Keep dreaming Timbaland. You are nothing more than a wanna-be Lil' John looping your 'yeah's and 'oooooh's in every track that sounds the same as the one before.
  
  
• Not a waste of money at all
  By A2CPFSZD4JHIZ7 on 2007-06-01
  Of course, what you think of this album may be largely dependent on your feelings towards songs like "Say It Right" and "SexyBack," since the Timbaland sound you will hear on this album is very much like his previous collaborations. Timbaland does a fair bit of self-recognition, which he deserves every minute of. He keeps the fresh beats coming, and he appears to have discovered a great artist in Keri Hilson.
  
  Track-by-track?
  
  01-Oh Timbaland: B (Great beat, decent lyrics)
  02-Give It To Me: B (Very good music, awesome performance from Furtado and Timberlake)
  03-Release: B (Timbaland & Timberlake both shine)
  04-The Way I Are: A (Hilson sounds great and compliments awesome music)
  05-Bounce: D (Not bad, but nothing exceptional)
  06-Come And Get Me: D (I have the edited version, and it seems like I don't hear that many lyrics. Wonder what that means?:))
  07-Kill Yourself: C (Very intriguing song with good music)
  08-Boardmeeting: B (Old school collaboration with Magoo just plain works)
  09-Fantasy: C (Catchy and interesting)
  10-Scream: D (This track gets annoying after a while--and it's 5:41 long)
  11-Miscommunication: C (Great lyrics)
  12-Bombay: D (Very catchy--but seems misplaced)
  13-Throw It On Me: C (Catchy and unique)
  14-Time: D (One of the weaker tracks)
  15-One And Only: B (Great blend of rock & hip-hop)
  16-Apologize: B (Great lyrics, great music)
  17-2 Man Show: C (Not half the nightmare it could've been)
  
  There are seven worthy tracks on here and more that do well. None of them stand out as being horrible.
  
  Great buy.
  
  
• It's not a bad album but it lacks in certain areas.
  By A3C6CZC2JP67VK on 2007-06-25
  This album comes across as the culmination of the work Timbaland has been working through on Furtado and Timberlake's discs creating a trilogy of sorts. It is a good album in its own right, with a feel very much like a highly refined yet still edgy mash-up in the manner of Jay-Z and Linkin Park's 2004 topper.
  
  As a listen to this I found it funny that the some of songs I thought I would like - end up being my least favorite, while the songs that I thought I would hate end up being my favorite. Songs like "Bounce" was highly anticipated, but didn't deliver. Dre's verse is entirely too short, and quite meaningless, then to be followed up by Justin Timberlake - it just didn't mesh well. "Give It To Me" gets old real quick, with annoying vocals by Nelly, an on-going droning beat that rarely changes, and conceited lyrics by Timbo and JT. Great for the club, I suppose. "Release" is a throw back to JT's album. "Boardmeeting," "Way I Are," "Oh Timberland," "Throw It On Me," are pretty decent but is easily forgettable. In terms of collaborations this is a good CD. Tracks like "Time" with "She Wants revenge" and "Apologize" with "One Republic" stand out on the CD as indications that Timbaland really can do whatever he wants, and makes something sound good to the followers of whatever genre he chooses to play in.
  
  If you liked Collison Course and any of Timbaland's recent work heard on the radio this album is definitely worth your time and money. If you have found most of it annoying then purchase the tracks you like and avoid the rest but I guarantee that you'll find at least one song to respect on here.
  
  
  
• (2.5 Stars) He Definitely Gives You Some 'Shock Value' With This CD!
  By A27RIWPJMP3XYD on 2007-06-26
  The musical genius that is Timbaland has had his fair share of success with a wide range of artists. From his earlier work with Aaliyah to Jay-Z to Justin Timberlake and Nelly Furtado later, Timbo has worked with some of the best around. So it seemed to be a no-brainer to put out another solo album amid his new found resurgence on the music scene. So Timbaland Presents Shock Value is his latest offering with a multitude of eccentric guest artists and very little hip-hop to speak of outside of his lyrics. The lead single "Give It To Me" features Justin Timberlake and Nelly Furtado, two artists who have flourished since uniting with the super producer. Both give their signature Pop sound to the song, leaving very little room for the songs to be played on traditional urban stations. Most of the album follows the same formula of non-Hip-Hop beats with non-Hip-Hop cameos. Artists like alternative rock band The Hives ("Throw It On Me"), the Punk-Pop crew Fall Out Boy ("One & Only"), pop icon Elton John ("2 Man Show"), electronic artist Amar ("Bombay"), pop-R&B artist Money ("Fantasy"), electronic goth/punk duo She Wants Revenge ("Time"), and others give the album a mainstream pop radio feel that longtime fans of Timbaland will be turned off to. He even goes as far as to remix the song "Apologize" by his own Mosley Music artists OneRepublic with no verses by the rapper himself. Timbaland does give R&B signee Keri Hilson some much deserved spotlight on songs like the 'SexyBack'-inspired "Way I Are," "Scream" featuring Nicole Scherzinger of Pussycat Dolls fame, and "Miscommunication" with labelmate Sebastian. Outside of a few hip-hop guest stars like Dr. Dre and Missy Elliott ("Bounce"), Mosley Music signee Sebastian ("Kill Yourself"), and former partner-in-crime Magoo ("Boardmeeting"), Timbaland Presents Shock Value gives a lot of shock and very little value for us Hip-Hop heads. If this is the new direction for Timbaland and his Mosley Music Group, then good luck to him and his new venture. He was never a strong lyricist, but Timbaland was certainly a huge Hip-Hop producer. But with his eye on the Pop music prize, there will be little room for him to focus on Hip-Hop....for himself or other artists.
  
  
  
• I love it ;-)
  By A24ZFFRQ4MG3XL on 2007-04-06
  This is my new favourite cd. I really like it and can't stop listening to it. It's great for the car, going for a walk with your iPod and anywhere in between.
  I love some of the collaborations. My personal favourites are Fantasy (featuring Money), The Way I Are, 2 Man Show (with Elton John) and Release (with Justin Timberlake). Release is so contagious and I can't help but dance. Each song is fantastic and I'm lovin this. Go and get this and you'll not be able to turn it off either. I love it.
  
  
• just ok
  By A9Q28YTLYREO7 on 2007-04-15
  Timbaland has bounced back and in a big way over the past year. so he put out this Album which while showcases his tendencys towards beats and grooves, it also shows off the fact he has never really written a memorable song. he is more known for Grooves and beats. this album also shows that he is better suited behind the scenes for other acts as to doing his own thing because his limitations as a artist in his own right are there for the hearing. a few interesting things here and there,but nothing memorable. Timbaland does have some good ideas,but he doesn't get the most out of his own self as he seems to get out of other artists he works with.
  
  
• Trying both similar and very different things
  By A10CJINP7KBR4W on 2007-04-20
  While I usually think producer solo albums are nothing more than ego driven, this provides something unique. While the album has a few expected cliche club hits with friends Justin Timberlake and Nelly furtado, there are enough tracks on here that feel like attempts to try something very different things. Using everyone from fallout boy to the hives shows this is more than an album meant to show his ego. That being said, the album still feels a little unrestrained, and more of a collection of songs that should have been on other albums, than a cohesive album. Think of it like one of the Now compilation albums but produced by everysong produced by Timbaland. It's entertaining, and have some interesting things, but I don't find too much beyond that. Had the album not been so disjointed between hits and experiments it would have been rated higher.
  
  
• Definitely a Banger!!
  By ASG6DE8NOU7Y7 on 2007-03-31
  This might be Timbaland's best work to date. Definitely a very dope album, with flawless production...vocals are on point. Only a fool would pass up this album! Many many tracks to even get close to choosing event a first, second or third best. Although right now "Way I Are" is on repeat!
  
  
• Like a drink of water... refreshing for about 5 minutes.
  By A3KZUBM6S477EQ on 2007-04-07
  I liken Timbaland to Nate Dogg. Just there presence on a track can make it a hit. A great "assist" man, brilliant behind the scenes - but as soon as he tries to take the spotlight, it falls short of a milestone. Timbo's productions are legendary, he put Genuwine on the map back in the 90's, revived Missy Elliots slumping career, was taking Aliyah to the top before her death, and Took Nelly Furtado and Justin Timberlake to superstar status. But his solo albums have always been far from spectacular, which comes as no surprise.
  
  Shock Value is an album that you will listen too non-stop for about a month, then easily forget about it. A good album, but nothing memorable. I found it funny that the songs I thought I would like - end up being my least favorite, while the songs that I thought I would hate end up being my favorite. Songs like "Bounce" was highly anticipated, but didn't deliver. Dre's verse is entirely too short, and quite meaningless, then to be followed up by Justin Timberlake - it just didn't mesh well. "Give It To Me" gets old real quick, with annoying vocals by Nelly, an on-going droning beat that rarely changes, and conceited lyrics by Timbo and JT. Great for the club, I suppose. "Release" is a throw back to JT's album. "Boardmeeting" "Way I Are" "Oh Timberland" "Throw It On Me" are boring, and easily forgettable.
  
  
  However, there are some shinning songs on this CD. "One & Only" surprised be quite abit, considering I don't like Fallout Boy. The track is energetic, and a smoothing blend of rock and hip-hop, not one dominating the other. The vocals, while a little whiny, are executed well enough to make it addicting. Not a 50 cent and Tony Yayo fan, but "Come & Get Me" is a straight banger. The piano drops throughout the song is reminiscent of a Dr. Dre track. The singing vocals that just float on-top on the track throughout the song is a nice touch. "Kill Yourself" is an intriguing track, not the best on the album, but definitely better then some of the others. "Miscommunication" is a classic intoxicating Timbaland beat. "Time" is probably my favorite track on the entire CD. The beat is excellent - a step in the right direction for Timbaland, the guest appearance I've never heard of, but he does an excellent job on the chorus, and has a Maynard-esque like voice. "Scream" is another great song, with a rhythmic beat that drops during the chorus, accompanied by a simple yet satisfying guitar loop. Vocals are done exceptionally well here. "Apologize" has great piano's and is a good overall track, with good vocals and a soothing beat.
  
  Like many here on amazon are saying, it's not this years best CD, but its definitely a worthwhile purchase, and give an invigorating listen for about a month or so. But don't expect it to stay in the CD player for any longer.
  
  
• Give It To Me
  By AIW5KNFD2114D on 2007-04-10
  We all know that Timbaland is an excellent producer as he has shown us in the past with such artists as: Brandy, Missy Elliott, Pussycat Dolls, Nelly Furtado, Justin Timberlake, Bjork, etc..... <----- Just to name a (very) few!! His success has sky rocketed within the last year plus with the latter named artists'. Timbaland has a few solo CD's under has belt as well that have not gotten very much commercial success.
  
  His latest release: 'Shock Value' relies heavily on collaborations and Timbalands trademark beats. His raps are not that noteworthy but they are not that prodominant on here either. (which in my opionion is really no great loss) He recruits some great talent such as: Nelly Furtado, Justin Timberlake, Elton John, Fall Out Boy, 50 Cent, Dr. Dre, Magoo, Missy Elliott, She Wants Revenge, Nicole Scherzinger (lead Pussycat Doll) and a name I have not heard of that appears on a number of songs that I really like: Keri Hilson.
  
  There are a few songs on here that as soon as you hear them will right away remind you of JT's "Sexyback" - which in my opinion was kind of a "safe" choice or just plain laziness. On the other songs I really liked how Tim matches the beats with the artist with whom is singing in the song - i.e - Fall Out Boy and She Wants Revenge have a more rocky and edgy sound to them which are both excellent. The pairing with Elton John thrives a lot on piano. Another great track. One of my favorite songs "Bounce" F/ Justin Timberlake, Missy Elliott & Dr. Dre. Very catchy song - Missy has the most standout line with "Hel* naw, like Britney Spears I wear no draws! CLASSIC.
  
  Every song is a standout and worth the purchase. It could have sone without the carbon copy "Sexyback" sounding songs but the rest of the CD more than makes up for it.
  
  
  
• A Breath of Fresh Air
  By A3IF0XHG0HJEYP on 2007-04-11
  Tim's been my favorite producers since his first collaboration with Magoo dropped (Timbaland & Magoo: Welcome to our world). Although, in my opinion, he has never matched his original classics (Up Jumps Da Boogie, Pony, and Love to Love you) he always seem to deliver the goods. Timbaland's last true solo album (Timbaland's: Bio) was a hit but didn't receive much commercial recognition (as is the case with all of his "solo" releases). The album was so good in fact; it introduced soon to be super stars "Ludicris" and "Twista" to the world before they even hit the main stream. So, I expected the same formula this time around. Just like his last cd, each track should have a featured artist who is on the rise. Each track should be solid and unique. Each track should deliver its own message. In my opinion, Timbaland delivers in at least two of the three areas.
  
  Number one, Timbaland delivers head bobbing beats once again. When I first heard the cd on Myspace I was unsure to whether I would like it or not. The songs were a very different approach. Tim goes from 80's pop, to hip hop, to contemporary pop, R&B, and alternative in one single cd. To be honest it is hard to place this cd in one genre. Those who say the transition from genre to genre is sloppy couldn't be further from the truth. The cd flows very well, given the fact that I can't think of any other artist who has mixed so many sounds together in one outing. After all there really is no template he could follow or copy being he is the first to do this. Titles like "Bounce"," Fantasy", "Miscommunication", "One and Only", and "Apologize" deserve extended radio play. Other tracks such as "Release" (80's pop), "The Way I Are (80's pop),"Bombay" (Bolly Wood), and "2 Man Show" (English pop) are very unique and will probably go unnoticed.
  
  Number two, each track has a purpose and message. First hearing the cd I felt Timbaland was focusing too much on the "beef" he has experienced in the industry. Surprisingly enough only three tracks really address his controversies with fellow artist and producers. He has the right to speak out (being that he is so secretive). Other tracks beg you to dance and "release." The tracks have so many twists and turns it really doesn't matter what the message is in the long run, as long as you are enjoying yourself.
  
  Unfortunately, this cd differs in the fact that the featured artist lineup is small compared to the last. I love and hate this at the same time. I would have liked to have seen a few more main stream artists on the cd. Jay-Z was absent from this one, as well as Genuine, and a few other regulars. But I understand why they aren't here ("or do I?"). The new talent is solid. If marketed right Keri Hilson will hit it big and "Money", although unknown before hearing "Fantasy", has true talent. I've also been waiting for Sebastian's release (since I first heard him on "We At it Again"). It also leaves me wondering what happened to the "Beat Club" artist such as Kiley Dean and Ms. Jade (as well as others) of yester year.
  
  For those who don't understand the concept behind this cd, "I feel for you." Yes, Tim's recent collaborations with Nelly Furtado and JT are still fresh in our minds, but all that does is add a new sound to Tim's portfolio. So, saying some tracks sound like "Sexy Back" ("Release" and "The Way I are") or "Loose" ("Give it to Me" and "Bombay") is not a valid reason to fault this cd. This is the whole purpose of this cd. Shock Value delivers Tim's "range" on one disc. It's his portfolio and current bio. Appreciate it for what it's worth, buy the cd, and hope the next one improves on the minor faults there are to find in this masterpiece. Finally, we have something a little deeper than " Lean Back" "This is Why I'm hot" or "Throw Some D's on it" ( with no disrespect to those tracks). So click "buy" now!
  
  
  
• Pop Music vs
  By A1KDEDXOWABBQ6 on 2007-04-14
  Couple good songs but no matter how you look at it either your going to like it or dislike it. Timbo is at the point where he can do whatever he wants and expirement with whatever no matter how many of us are trying to figure out wtf we are listening to. But either way you can't hate on originality.
  
  
• buy this NOW
  By AAKUQVXYWSH0S on 2007-04-17
  As someone who has listened to rap and hip hop leisurely, not solely, I can seldom keep up with the new releases in these genres. I have a decent rap and hip hop collection, and Shock Value is the current pinnacle of it all. Typically I have an ear for more alternative artists, and am more interested in good guitar riffs rather than well-produced beats. Not this time.
  
  I have always liked the work that Timbaland has done with Missy Elliot and a number of other various artists, I never expected to be IN LOVE with one of his albums. No need to skip tracks here, totally listenable all of the way through. Perfect house-party music, perfect road-trip music, perfect all of the time.
  
  Might as well buy 2 of these CDs, 'cause you're gonna burn the first one out. Well done Timbaland. Nice to see him as the main attraction again instead of the 'featuring...' or 'produced by...' line.
  
  
• Not For The Closed Minded
  By A1YLZ2W9L5QCUJ on 2007-04-18
  A Multicultural CD That's Not For The Closed Minded
  
  
  
  By Effrem J. Adams
  
  
  
  This CD is very intense, original, and well produced. Unfortunately it will go right over people's heads. After listening to the album I think only people who truly appreciate music will enjoy it. "Shock Value" has no one sound to it. Instead Timbaland goes ahead of the game and brings in elements from India, Rock, Jazz, Rap, Hip-Hop, Soul, Orchestra, Choir, and even a little Country as heard in track "Time".
  
  
  
  However this CD is certainly NOT for the closed minded and this will unfortunately be the reason for its demise. Those into one particular genre may feel alienated. Rap fans may not feel there's enough rap songs, while rockers will like the rock riffs, but won't take too keen to the rap songs. Thrown in is track "Bombay" with an Indian twist to it that is amazing. Again it's a song many will have to open their minds to.
  
  
  
  
  In "Bounce" Timbaland reunites with superstar Missy Elliot along with Justin Timberlake, and Dr. Dre. You have a unique duo in "One and Only" featuring Fallout Boys which a similar track to "Dance Dance" only with bass beats and subtle flutes in the background. Timbaland shows off in "2 Man Show" featuring Elton John and Kirk Franklin choir.
  
  
  
  
  Almost every song on the CD could become an instant single hit. While "Give It To Me" is a great song I wish Timbaland had took a bolder route and released a more unique track. On the plus side the CD is a pure club banger!
  
  
  
• His Best Album...
  By A1JVXS9O74AZR3 on 2007-04-19
  This is a FANTASTIC Album. From Start to finish, this album will have you up and dancing.
  
  
• Absolutely Fabulous
  By A5WGG7K5KR29O on 2007-04-27
  This CD is off the hook fabulous.
  It's the kind of stuff that makes me dance on the train, on the street corner, in the elevator, wherever I happen to be, unashamedly.
  
  I am especially thrilled because of my introduction to The Hives, She Wants Revenge, Fallout Boy and One Republic. I listen to all kinds of music and I really appreciate Timbo's introducing fans who would normally only listen to hip hop to something broader, something different. My favorite tracks are: Give It To Me, Release, The Way I Are, Come and Get Me (infectious beat, but of course, Timbo GOT the BEATS!), Kill Yourself, Boardmeeting, Throw It on Me (the Hives and Timbo work dis joint!), Time, One and Only and my very favorite, just because I relate to it so strongly right now, APOLOGIZE. Hot, hot CD. First one I bought on realease day in a long time. I'd'a paid double!
  
  
• Comfortable
  By A1DSUX1R4XSCZG on 2007-06-10
  I don't like his first single, "give it to me", so I thought this album would suck, but I must admit this album's pretty good.
  
  It experiments with many new things, and timbaland takes risks, such as the amazing ballad, "apologize" ft. One republic, but what's amazing is that they are all so timbaland, when you think about it.
  
  it's like in project runway, when heidi wants her designers to take risks, but still remain true to their design concept, and make sure it still says their name-- timbaland takes musical risks but still stays true to his musical concepts and ideas.
  
  some of the songs, you can immediately tell are timbaland, "give it to me", "scream", but there are some songs that are discreetly timbaland, like "one and only" ft. fallout boy, but within the context of the album it really works. Just give a listen to "apologize", you wouldn't believe it's a timbaland piece, but it just works with the album.
  
  Sure the album could have been more "shocking", but i think this album's a polished, confident, comfortable album for timbaland, and i would totally recommend it.
  
  
• Timbaland Ft. . . . . . . . ..
  By ABE1UYYL3PNWL on 2007-06-14
  This album is not bad, off cuz the hit single "Give it to me" ft.Nelly and Justin really gives this album the boost in sales.
  Frankly, i bought this album just for that song, however, after listning to this album a couple of times, its not a bad album overall. Others tracks I enjoyed listening to are Apologize ft.One Republic and 2 Man show ft. Elthon John.
  
  
• shock value a great surprise
  By A206NHXBKET78I on 2007-06-19
  to all u haters of this album--- sit down.This album is a great contribution to many versatile styles of timbaland.I have been a huge fan of his since him and missy started.Any good artist knows that if u want a great or half descent album, see timbaland. His beats are always hot!! And this album, at first listen, u might not like it,but try to listen again, and you will see where his head is.This album makes u wanna be in da club movin summtin,for real.Trust, this is his best album yet.The other ones where not that bad.This album u can tell he put a lot of work into it.And i give him mad kudos for it. So if u like dancing, get this album, because u will move!
  
  
• Half & Half.
  By A3VBDR7QML2TWO on 2007-04-01
  Half the album is really good.
  The other half is just alright and fillers.
  Still an amazing, creative album.
  Better than the collabrations Diddy had on Press Play!
  
  

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